Beyond Better Pixels: How HDR Perceptually and Emotionally Effects Storytelling

Metadata

Publisher: SMPTE — White Plains, NY, USA
Doc Type: Conference Paper
Content Type: Original Research
Volume: 2018, No. 10, pp. 1–12
Abstract: As the push for high-dynamic-range (HDR) content begins to swell, consumers may find themselves wondering what this new content offers at home, beyond gimmicks and more expensive televisions. Content creators may also find themselves wondering what this new standard offers to the stories they tell beyond yet another set of delivery specs. With the bulk of HDR demo material showcasing standalone wow-factor wide shots designed to showcase the physical limits of dynamic range, there is a need to take a step back and examine how HDR and wide-color-gamut (WCG) effects an entire project: putting our brighter and better pixels in the more meaningful context of an entire story. This paper will present observations on the effect of HDR/WCG as it varies through visual styles, using examples from a one hour medical drama, a half hour super hero comedy, and a one hour spy thriller. The author will use data collected from her work as a colorist on over 35 episodes of HDR content to examine the psychophysical, perceptual, and emotional impact of the deeper dynamic range and greater gamut available in larger color volumes.
Publication Date: 2018-10-22
DOI: 10.5594/M001818
ISBN: Print: 978-1-61482-960-7
Link: https://doi.org/10.5594/M001818
Author(s): Aurora GordonArsenalFX Color, 1620 Euclid St
Keyword(s): HDR, Wide Color Gamut, Home Viewing, Storytelling, Content Creator, Perception, SDR-to-HDR, Standard Dynamic Range, HDR10, Contrast
Copyright: © 2018 Society of Motion Picture and Television Engineers, Inc.

Bibliographic Reference(s)

Perceptual Uniformity for High-Dynamic-Range Television Systems [Active]
The Tick, Amazon Studios, Sony Pictures Television, 2017. EXTERNAL
M.D. Fairchild, Color Appearance Models, Wiley: New York, 2013 EXTERNAL
Counterpart, Starz!, 2017. EXTERNAL
The Good Doctor, ABC Studios, 2017. EXTERNAL
J. Stevens, L. Marks, “Steven’s Power Law In Vision: Exponents, Intercepts, and Thresholds”, The John B. Pierce Laboratory, Yale University, 2018. EXTERNAL
ITU-R BT.709.6 [Active]
ITU-R BT.2020-2 [Active]

Source Data (JSON)

Full registry record with provenance metadata. Open directly: /api/doc/10.5594-M001818.json

Reference Tree

Explore all references and references to this document, as a navigable tree.

Open Reference Tree

Reference this Doc

Plain text (ISO 690 compliant)

Preview:

Aurora Gordon; Beyond Better Pixels: How HDR Perceptually and Emotionally Effects Storytelling, SMPTE Meetings and Conferences ( October 2018); SMPTE, 2018, ISBN: 978-1-61482-960-7. Available at https://doi.org/10.5594/M001818

Snippet:

Aurora Gordon; Beyond Better Pixels: How HDR Perceptually and Emotionally Effects Storytelling, SMPTE Meetings and Conferences ( October 2018); SMPTE, 2018, ISBN: 978-1-61482-960-7. Available at https://doi.org/10.5594/M001818

HTML (ISO 690 compliant)

Preview:

Snippet:

<span class="citation">Aurora Gordon; <cite>Beyond Better Pixels: How HDR Perceptually and Emotionally Effects Storytelling</cite>, SMPTE Meetings and Conferences ( October 2018); SMPTE, 2018, ISBN: 978-1-61482-960-7. Available at <a href="https://doi.org/10.5594/M001818" target="_blank" rel="noopener">https://doi.org/10.5594/M001818</a></span>

SMPTE's HTML Pub

Preview:

Snippet:

<li>
Aurora Gordon; <cite id="bib-10-5594-m001818">Beyond Better Pixels: How HDR Perceptually and Emotionally Effects Storytelling</cite>, SMPTE Meetings and Conferences ( October 2018); SMPTE, 2018, ISBN: 978-1-61482-960-7
<span class="doi">10.5594/M001818</span>
</li>