The Future of Audio Post-Production using Virtual 3D Scenes

Metadata

Publisher: SMPTE — White Plains, NY, USA
Doc Type: Conference Paper
Content Type: Original Research
Volume: 2015, No. 10, pp. 1–8
Abstract: Many motion pictures use 3D computer graphics software to generate imagery - moving 3D objects are positioned on a virtual space where a moving virtual camera is responsible for the rendering of the scene. Unfortunately, the same concept is not used for audio post-production. Even for immersive audio, the current audio post-production workflow is based only on Digital Audio Workstations (DAW), the audio equivalent of a video editing software, where hundreds of audio tracks are mixed together, but lacking a true integration between sound sources and the virtual sound “camera”. — This paper presents the concept of a virtual 3D scene audio software, its advantages and disadvantages, based on a particle system software developed for sound design, which is currently being tested in major audio post-productions studios, capable of creating virtual 3D audio scenes.
Publication Date: 2015-10-26
DOI: 10.5594/M001652
ISBN: Print: 978-1-61482-956-0
Link: https://doi.org/10.5594/M001652
Author(s): Nuno FonsecaIT/ESTG, Polytechnic Institute of Leiria
Keyword(s): Immersive Audio, Audio, Sound, Post Production, Particle Systems, Stereoscopic, Virtual Scene
Copyright: © 2015 Society of Motion Picture and Television Engineers, Inc.

Bibliographic Reference(s)

N. Fonseca, “Hybrid Channel-Object Approach for Cinema Post-Production Using Particle Systems”, to be presented at the 139th Audio Engineering Society (AES) Convention; New York, USA, October 2015. EXTERNAL
Longcat, “In-house technologies and software”, at http://www.longcat.fr/expertise-services/achievements/ (as seen Sep. 2015) EXTERNAL
N. Fonseca, “Sound Design Using Particles Systems and Virtual Microphones”, presented at the 57th Audio Engineering Society (AES) Conference on The Future of Audio Entertainment Technology, Los Angeles, USA, March 2015. EXTERNAL
R. Stevens, “The Game Audio Tutorial: A Practical Guide to Sound and Music for Interactive Games”, Focal Press, 2011. EXTERNAL
N. Fonseca, “Particle Systems for Creating Highly Complex Sound Design Content”, presented at the 137th Audio Engineering Society (AES) Convention; Los Angeles, USA, October 2014. EXTERNAL

Source Data (JSON)

Full registry record with provenance metadata. Open directly: /api/doc/10.5594-M001652.json

Reference Tree

Explore all references and references to this document, as a navigable tree.

Open Reference Tree

Reference this Doc

Plain text (ISO 690 compliant)

Preview:

Nuno Fonseca; The Future of Audio Post-Production using Virtual 3D Scenes, SMPTE Meetings and Conferences ( October 2015); SMPTE, 2015, ISBN: 978-1-61482-956-0. Available at https://doi.org/10.5594/M001652

Snippet:

Nuno Fonseca; The Future of Audio Post-Production using Virtual 3D Scenes, SMPTE Meetings and Conferences ( October 2015); SMPTE, 2015, ISBN: 978-1-61482-956-0. Available at https://doi.org/10.5594/M001652

HTML (ISO 690 compliant)

Preview:

Snippet:

<span class="citation">Nuno Fonseca; <cite>The Future of Audio Post-Production using Virtual 3D Scenes</cite>, SMPTE Meetings and Conferences ( October 2015); SMPTE, 2015, ISBN: 978-1-61482-956-0. Available at <a href="https://doi.org/10.5594/M001652" target="_blank" rel="noopener">https://doi.org/10.5594/M001652</a></span>

SMPTE's HTML Pub

Preview:

Nuno Fonseca; The Future of Audio Post-Production using Virtual 3D Scenes, SMPTE Meetings and Conferences ( October 2015); SMPTE, 2015, ISBN: 978-1-61482-956-0
doi: 10.5594/M001652
url: https://doi.org/10.5594/M001652

Snippet:

<li>
Nuno Fonseca; <cite id="bib-10-5594-m001652">The Future of Audio Post-Production using Virtual 3D Scenes</cite>, SMPTE Meetings and Conferences ( October 2015); SMPTE, 2015, ISBN: 978-1-61482-956-0
<span class="doi">10.5594/M001652</span>
</li>