API Build-data JSON Resources
Theme

Choose how MSRBot.io looks on this device.

Auto (match system) Light mode Dark mode

Preference is stored in this browser only.

SMPTE Meetings and Conferences ( October 2015)
[ACTIVE]

How Independent are HDR, WCG, and HFR in Human Visual Perception and the Creative Process?

Metadata

Publisher
SMPTE — White Plains, NY, USA
Doc Type
Conference Paper
Content Type
Original Research
Volume
2015, No. 10, pp. 1–18
Abstract
UHD, HDR, WCG, HFR are bound to be powerful creative tools with which to engage the viewer. Such acronyms (and would-be logos) could also prove to be influential marketing aids. But how justified would standards bodies, content creators, and distributors be in thinking of each feature as independent? — This paper will provide principles of applied vision science to quantify the extent of interdependence of luminance, field—of-view, color perception, and temporal sensitivity. This paper will also identify situations in which luminance, color, and frame rate should perhaps be considered in concert rather than as independent creative dials.
Publication Date
2015-10-26
DOI
10.5594/M001630
ISBN
Print: 978-1-61482-956-0
Link
https://doi.org/10.5594/M001630
Author(s)
Sean T. McCarthyARRIS Group
Keyword(s)
UHDTV, Vision Science, Visual Perception, HDR, Color Gamut, HFR, Creative Intent Preservation, Content Distribution
Copyright
© 2015 Society of Motion Picture and Television Engineers, Inc.
Source Data (JSON)

Full registry record with provenance metadata. Open directly: /api/doc/10.5594-M001630.json

Reference Tree

Explore all references and references to this document, as a navigable tree.

Open Reference Tree
Reference this Doc

Plain text (ISO 690 compliant)

Preview:
Sean T. McCarthy; How Independent are HDR, WCG, and HFR in Human Visual Perception and the Creative Process?, SMPTE Meetings and Conferences ( October 2015); SMPTE, 2015, ISBN: 978-1-61482-956-0. Available at https://doi.org/10.5594/M001630
Snippet:
Sean T. McCarthy; How Independent are HDR, WCG, and HFR in Human Visual Perception and the Creative Process?, SMPTE Meetings and Conferences ( October 2015); SMPTE, 2015, ISBN: 978-1-61482-956-0. Available at https://doi.org/10.5594/M001630

HTML (ISO 690 compliant)

Preview:
Sean T. McCarthy; How Independent are HDR, WCG, and HFR in Human Visual Perception and the Creative Process?, SMPTE Meetings and Conferences ( October 2015); SMPTE, 2015, ISBN: 978-1-61482-956-0. Available at https://doi.org/10.5594/M001630
Snippet:
<span class="citation">Sean T. McCarthy; <cite>How Independent are HDR, WCG, and HFR in Human Visual Perception and the Creative Process?</cite>, SMPTE Meetings and Conferences ( October 2015); SMPTE, 2015, ISBN: 978-1-61482-956-0. Available at <a href="https://doi.org/10.5594/M001630" target="_blank" rel="noopener">https://doi.org/10.5594/M001630</a></span>

SMPTE Icon SMPTE's HTML Pub

Preview:
Sean T. McCarthy; How Independent are HDR, WCG, and HFR in Human Visual Perception and the Creative Process?, SMPTE Meetings and Conferences ( October 2015); SMPTE, 2015, ISBN: 978-1-61482-956-0
doi: 10.5594/M001630
url: https://doi.org/10.5594/M001630
Snippet:
<li>
Sean T. McCarthy; <cite id="bib-10-5594-m001630">How Independent are HDR, WCG, and HFR in Human Visual Perception and the Creative Process?</cite>, SMPTE Meetings and Conferences ( October 2015); SMPTE, 2015, ISBN: 978-1-61482-956-0
<span class="doi">10.5594/M001630</span>
</li>

Referenced By