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SMPTE Meetings and Conferences ( October 2014)
[ACTIVE]

Options for Camera Raw in the Digital Workflow

Metadata

Publisher
SMPTE — White Plains, NY
Doc Type
Conference Paper
Content Type
Original Research
Volume
2014, No. 10, pp. 1–18
Abstract
Raw camera data is an important component in the digital workflow. But, with higher resolution, the ability to get all of the sensor information out of the camera is challenged by the speed of existing interfaces. Additionally, the cost of storing this data for a high shooting ratio projects is cost prohibitive. This paper explores the workflow options that are available for compressing Bayer/Mosaic Pattern data. Topics will include the data layout of the Bayer Pattern for specific cameras resulting in interface speed requirements for different resolutions, compressibility of Bayer Pattern data vs. debayered DI images (entropy differences between Camera Raw and DI images and the impact on Compression Ratio), dynamics of uploading Camera Raw from On-Set to the Cloud, and options when applying compression at various stages of the Production and Post Production workflows.
Publication Date
2014-10-01
DOI
10.5594/M001560
Link
https://doi.org/10.5594/M001560
Author(s)
Keith HoganPixspan, Inc., Bethesda, MD, keith@pixspan.com.
Keyword(s)
Compression, Cloud, Workflow
Copyright
© 2014 Society of Motion Picture and Television Engineers, Inc.

Bibliographic Reference(s)

  • Aptina , “Aptina's Clarity+ Solution” EXTERNAL
  • Anon, Quadibloc, “Color Filter Array Design” , http://www.quadibloc.com/other/cfaint.htm . EXTERNAL
  • Burgett Gannon , “Android L 5.0 Brings Raw Support, Manual Controls and More to Mobile Shooters” , http://petapixel.com/2014/06/29/android-l-5-0-brings-raw-support-manual-controls-mobile-shooters/ . EXTERNAL
  • Mansurov Nasim , “DNG vs. RAW” , http://photographylife.com/dng-vs-raw . EXTERNAL
  • Adobe , “Digital Negative Specification Version 1.4” , June 2009 . EXTERNAL
  • Fauer Jon , ASC. Film and Digital Times , Sept 2014 Special Report, “Alexa 65”. EXTERNAL
  • Canon , White Paper, “HOW A 4K IMAGE SENSOR ORIGINATES A SUPERIOR REAL-TIME 2K OR HD” , http://learn.usa.canon.com/app/pdfs/white_papers/White_Paper_originatinghighqualityc500.pdf . Anon, Entropy, Wikipedia Encyclopedia, http://en.wikipedia.org/wiki/Entropy . EXTERNAL
  • Sadeghipoora Zahra Lub Yue M. , and S'usstrunka Sabine , “Optimum Spectral Sensitivity Functions for Single Sensor Color Imaging” , School of Computer and Communication Sciences Ecole Polytechnique F′ed′erale de Lausanne (EPFL) , Lausanne, Switzerland , Harvard School of Engineering and Applied Sciences , Cambridge, MA 02138, USA http://infoscience.epfl.ch/record/175067/files/SadeghipoorEI12_1.pdf . EXTERNAL
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Keith Hogan; Options for Camera Raw in the Digital Workflow, SMPTE Meetings and Conferences ( October 2014); SMPTE, 2014. Available at https://doi.org/10.5594/M001560
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Keith Hogan; Options for Camera Raw in the Digital Workflow, SMPTE Meetings and Conferences ( October 2014); SMPTE, 2014. Available at https://doi.org/10.5594/M001560

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Keith Hogan; Options for Camera Raw in the Digital Workflow, SMPTE Meetings and Conferences ( October 2014); SMPTE, 2014. Available at https://doi.org/10.5594/M001560
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<span class="citation">Keith Hogan; <cite>Options for Camera Raw in the Digital Workflow</cite>, SMPTE Meetings and Conferences ( October 2014); SMPTE, 2014. Available at <a href="https://doi.org/10.5594/M001560" target="_blank" rel="noopener">https://doi.org/10.5594/M001560</a></span>

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Preview:
Keith Hogan; Options for Camera Raw in the Digital Workflow, SMPTE Meetings and Conferences ( October 2014); SMPTE, 2014
doi: 10.5594/M001560
url: https://doi.org/10.5594/M001560
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<li>
Keith Hogan; <cite id="bib-10-5594-m001560">Options for Camera Raw in the Digital Workflow</cite>, SMPTE Meetings and Conferences ( October 2014); SMPTE, 2014
<span class="doi">10.5594/M001560</span>
</li>