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SMPTE Meetings and Conferences ( October 2011)
[ACTIVE]

Direct Display of Integer ACES Content for Post-Production Environments

Metadata

Publisher
SMPTE — White Plains, NY
Doc Type
Conference Paper
Content Type
Original Research
Volume
2011, No. 1, pp. 1–9
Abstract
The Image Interchange Framework (IIF), created by AMPAS with the goal of providing a unified post-production workflow, has seen increased interest in recent years. Central to the IIF is the RGB wide-gamut color space defined by the Academy Color Encoding Specification (ACES). For output device viewing, the ACES data must first be rendered through the Reference Rendering Transform (RRT) and the Output Device Transform (ODT). Recently a quasi-logarithmic 12 bit integer ACES encoding scheme was proposed, and we present initial results on the direct display of integer ACES content on a Dolby PRM-4200 monitor. Frames were delivered directly to the monitor across a 12 bit dual link SDI interface, and the decoding, as well as the RRT and device ODT were computed via 1D and 3D LUTs resident on the monitor. Several different LUT designs were considered, and the limitations of each including failure modes will be discussed.
Publication Date
2011-10-01
DOI
10.5594/M001089
Link
https://doi.org/10.5594/M001089
Author(s)
Jon S. McelvainDolby Laboratories, Inc., 3601 W. Alameda Ave., Burbank CA 91505
David RuhoffDolby Laboratories, Inc., 3601 W. Alameda Ave., Burbank CA 91505
Glenn WoodruffDolby Laboratories, Inc., 8651 Castle Park Dr., Indianapolis IN 91505
Walter GishDolby Laboratories, Inc., 3601 W. Alameda Ave., Burbank CA 91505
David SchnuelleDolby Laboratories, Inc., 3601 W. Alameda Ave., Burbank CA 91505
Keyword(s)
ACES
Copyright
© 2011 Society of Motion Picture and Television Engineers, Inc.

Bibliographic Reference(s)

  • Report on Committee to Consider Correspondence Course for Projectionists [Active]
  • [1] FCD SMPTE ST 2065-1, “Academy Color Encoding Specification (ACES). April 2011. EXTERNAL
  • [2] http://www.studiodaily.com/main//Is-Justifieds-New-Workflow-the-Future-of-Cinematography_12916.html . EXTERNAL
  • [4] Pines Josh , private communication within AMPAS IIF workgroup. EXTERNAL
  • [5] http://www.cis.rit.edu/fairchild/HDR.html . EXTERNAL
  • [6] http://ampasctl.sourceforge.net/ . EXTERNAL
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Jon S. Mcelvain, David Ruhoff, Glenn Woodruff, Walter Gish, and David Schnuelle; Direct Display of Integer ACES Content for Post-Production Environments, SMPTE Meetings and Conferences ( October 2011); SMPTE, 2011. Available at https://doi.org/10.5594/M001089
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Jon S. Mcelvain, David Ruhoff, Glenn Woodruff, Walter Gish, and David Schnuelle; Direct Display of Integer ACES Content for Post-Production Environments, SMPTE Meetings and Conferences ( October 2011); SMPTE, 2011. Available at https://doi.org/10.5594/M001089

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Jon S. Mcelvain, David Ruhoff, Glenn Woodruff, Walter Gish, and David Schnuelle; Direct Display of Integer ACES Content for Post-Production Environments, SMPTE Meetings and Conferences ( October 2011); SMPTE, 2011. Available at https://doi.org/10.5594/M001089
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<span class="citation">Jon S. Mcelvain, David Ruhoff, Glenn Woodruff, Walter Gish, and David Schnuelle; <cite>Direct Display of Integer ACES Content for Post-Production Environments</cite>, SMPTE Meetings and Conferences ( October 2011); SMPTE, 2011. Available at <a href="https://doi.org/10.5594/M001089" target="_blank" rel="noopener">https://doi.org/10.5594/M001089</a></span>

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Jon S. Mcelvain, David Ruhoff, Glenn Woodruff, Walter Gish, and David Schnuelle; Direct Display of Integer ACES Content for Post-Production Environments, SMPTE Meetings and Conferences ( October 2011); SMPTE, 2011
doi: 10.5594/M001089
url: https://doi.org/10.5594/M001089
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<li>
Jon S. Mcelvain, David Ruhoff, Glenn Woodruff, Walter Gish, and David Schnuelle; <cite id="bib-10-5594-m001089">Direct Display of Integer ACES Content for Post-Production Environments</cite>, SMPTE Meetings and Conferences ( October 2011); SMPTE, 2011
<span class="doi">10.5594/M001089</span>
</li>