Sound and Fury: Bringing Dolby Atmos to the NHRA
Metadata
- Publisher
- SMPTE — White Plains, NY, USA
- Doc Type
- Journal Article
- Content Type
- Original Research
- Abbreviated Title
- SMPTE Mot. Imag. J
- Volume
- 128, No. 5, pp. 32–39
- Abstract
- The National Hot Rod Association (NHRA) approached Dolby Laboratories in early 2017 to explore what value immersive audio might bring to the NHRA’s television broadcasts. After site visits, audio captures, video production analysis, and production tests, a hybrid production strategy leveraging conventional live and cinematic post-production methodologies using both the static placement of objects and the dynamic panning of audio objects in the immersive space and in realtime was employed. This approach took advantage of the relatively predictable nature of each NHRA drag race to enable the use of live, dynamically panned audio objects combined with statically panned objects like ambience and crowd paired with substantial use of audio scene changes. This hybrid live/post approach to the creation of live Dolby Atmos immersive audio experiences could be used as a model for other sports and exposes opportunities for a measure of automated audio production control through the capture and use of telemetry data from spider-cams, jib-cams, and the participants themselves.
- Publication Date
- 2019-06-01
- DOI
10.5594/JMI.2019.2904374- ISSN
- Print:
1545-0279| Electronic:2160-2492 - Link
- https://doi.org/10.5594/JMI.2019.2904374
- Author(s)
- Michael Babbitt
- Keyword(s)
- Dolby Atmos, Audio, Dolby, Immersive Audio, Motorsports, Multichannel, Panning
- Copyright
- © 2019 SMPTE
Bibliographic Reference(s)
- M. J. Rebilas, USA Today Sports. EXTERNAL
- Babbitt, M., “Sound and Fury: Bringing Dolby Atmos to the NHRA,” presented at the IBC 2018 Conference, Amsterdam, The Netherlands, Sept. 2018. EXTERNAL
- R. McGee, “Drag Racing: The Loudest Sport,” Nov. 2010. [Online]. Available: http://www.espn.com/espn/news/story?id=5759488 EXTERNAL
- J. Dachman, “NHRA Roars Out With Big Ratings, Enhanced Production Complement,” Feb. 2017. [Online]. Available: https://www.sportsvideo.org/2017/02/24/nhra roars out with big rat ings enhanced production complement/ EXTERNAL
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Michael Babbitt; Sound and Fury: Bringing Dolby Atmos to the NHRA, SMPTE Motion Imaging Journal ( Volume: 128, Issue: 5, June 2019); SMPTE, 2019. Available at https://doi.org/10.5594/JMI.2019.2904374
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Michael Babbitt; Sound and Fury: Bringing Dolby Atmos to the NHRA, SMPTE Motion Imaging Journal ( Volume: 128, Issue: 5, June 2019); SMPTE, 2019. Available at https://doi.org/10.5594/JMI.2019.2904374
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Michael Babbitt; Sound and Fury: Bringing Dolby Atmos to the NHRA, SMPTE Motion Imaging Journal ( Volume: 128, Issue: 5, June 2019); SMPTE, 2019. Available at https://doi.org/10.5594/JMI.2019.2904374
Snippet:
<span class="citation">Michael Babbitt; <cite>Sound and Fury: Bringing Dolby Atmos to the NHRA</cite>, SMPTE Motion Imaging Journal ( Volume: 128, Issue: 5, June 2019); SMPTE, 2019. Available at <a href="https://doi.org/10.5594/JMI.2019.2904374" target="_blank" rel="noopener">https://doi.org/10.5594/JMI.2019.2904374</a></span>
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Michael Babbitt; Sound and Fury: Bringing Dolby Atmos to the NHRA, SMPTE Motion Imaging Journal ( Volume: 128, Issue: 5, June 2019); SMPTE, 2019
doi: 10.5594/JMI.2019.2904374
url: https://doi.org/10.5594/JMI.2019.2904374
doi: 10.5594/JMI.2019.2904374
url: https://doi.org/10.5594/JMI.2019.2904374
Snippet:
<li> Michael Babbitt; <cite id="bib-10-5594-jmi-2019-2904374">Sound and Fury: Bringing Dolby Atmos to the NHRA</cite>, SMPTE Motion Imaging Journal ( Volume: 128, Issue: 5, June 2019); SMPTE, 2019 <span class="doi">10.5594/JMI.2019.2904374</span> </li>