What Does High Dynamic Range Mean: Creating a High Dynamic Range Workflow for Film Students

Metadata

Publisher: SMPTE — White Plains, NY, USA
Doc Type: Journal Article
Content Type: Original Research
Abbreviated Title: SMPTE Mot. Imag. J
Volume: 128, No. 4, pp. 48–56
Abstract: A high dynamic range (HDR) workflow was created at the film school level from capture to exhibition. With HDR being one of the newest tools adopted into professional cinema workflows, there are many different ideas on how to master HDR with no available instruction manual. This paper explores how to implement an HDR workflow and ensure HDR for the entirety of the workflow. The workflow will allow for the user to be in an HDR space from capture to exhibition with the ability to also master in standard dynamic range. This will be accomplished using resources from the Rochester Institute of Technology’s School of Film and Animation.
Publication Date: 2019-05-01
DOI: 10.5594/JMI.2018.2887251
ISSN: Print: 1545-0279 | Electronic: 2160-2492
Link: https://doi.org/10.5594/JMI.2018.2887251
Author(s): Emily Faw
Keyword(s): HDR10, HDR, Workflow
Copyright: © 2018 SMPTE

Bibliographic Reference(s)

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Perceptual Uniformity for High-Dynamic-Range Television Systems [Active]
A Single-Layer HDR Video Coding Framework with SDR Compatibility [Active]
T. Schulte and J. Barsotti, “HDR Demystified: Emerging UHD Systems,” Mar. 2016. [Online]. Available: http://files.spectracal.com/Documents/White%20Papers/HDR_Demystified.pdf EXTERNAL
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T. Borer, “Non-Linear Opto-Electrical Transfer Functions for High Dynamic Range Television,” BBC Research and Development White Paper, Jul. 2017. EXTERNAL
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ITU-R BT.2100-2 [Active]
SMPTE ST 2084:2014 [Active, Stabilized]

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Emily Faw; What Does High Dynamic Range Mean: Creating a High Dynamic Range Workflow for Film Students, SMPTE Motion Imaging Journal ( Volume: 128, Issue: 4, May 2019); SMPTE, 2019. Available at https://doi.org/10.5594/JMI.2018.2887251

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Emily Faw; What Does High Dynamic Range Mean: Creating a High Dynamic Range Workflow for Film Students, SMPTE Motion Imaging Journal ( Volume: 128, Issue: 4, May 2019); SMPTE, 2019. Available at https://doi.org/10.5594/JMI.2018.2887251

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<span class="citation">Emily Faw; <cite>What Does High Dynamic Range Mean: Creating a High Dynamic Range Workflow for Film Students</cite>, SMPTE Motion Imaging Journal ( Volume: 128, Issue: 4, May 2019); SMPTE, 2019. Available at <a href="https://doi.org/10.5594/JMI.2018.2887251" target="_blank" rel="noopener">https://doi.org/10.5594/JMI.2018.2887251</a></span>

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Emily Faw; What Does High Dynamic Range Mean: Creating a High Dynamic Range Workflow for Film Students, SMPTE Motion Imaging Journal ( Volume: 128, Issue: 4, May 2019); SMPTE, 2019
doi: 10.5594/JMI.2018.2887251
url: https://doi.org/10.5594/JMI.2018.2887251

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<li>
Emily Faw; <cite id="bib-10-5594-jmi-2018-2887251">What Does High Dynamic Range Mean: Creating a High Dynamic Range Workflow for Film Students</cite>, SMPTE Motion Imaging Journal ( Volume: 128, Issue: 4, May 2019); SMPTE, 2019
<span class="doi">10.5594/JMI.2018.2887251</span>
</li>