The Future of Audio Post-Production using Virtual 3D Scenes

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Publisher: SMPTE — White Plains, NY, USA
Doc Type: Journal Article
Content Type: Original Research
Abbreviated Title: SMPTE Mot. Imag. J
Volume: 125, No. 9, pp. 12–15
Abstract: Many motion pictures use 3D computer graphics software to generate imagery—moving 3D objects are positioned on a virtual space where a moving virtual camera is responsible for the rendering of the scene. Unfortunately, the same concept is not used for audio post-production. Even for immersive audio, the current audio post-production workflow is based only on digital audio workstations, the audio equivalent of a video editing software, where hundreds of audio tracks are mixed together, but lacking a true integration between sound sources and the virtual sound “camera.” This paper presents the concept of a virtual 3D scene audio software, and its advantages and disadvantages, based on a particle system software developed for sound design, which is currently being tested in major audio post-productions studios, capable of creating virtual 3D audio scenes.
Publication Date: 2016-11-01
DOI: 10.5594/JMI.2016.2619439
ISSN: Print: 1545-0279 | Electronic: 2160-2492
Link: https://doi.org/10.5594/JMI.2016.2619439
Author(s): Nuno Fonseca
Keyword(s): Stereoscopic, Audio, Immersive Audio, Particle Systems, Post Production, Sound, Virtual Scene
Copyright: © 2016 SMPTE

Bibliographic Reference(s)

Longcat, “In-house technologies and software,” http://www.longcat.fr/expertise-services/achievements/, Sep. 2015. EXTERNAL
R. Stevens, The Game Audio Tutorial: A Practical Guide to Sound and Music for Interactive Games, Focal Press: Burlington, MA, 2011. EXTERNAL
N. Fonseca, “Sound Design Using Particles Systems and Virtual Microphones,” presented at the 57th Audio Engineering Society (AES) Conference on The Future of Audio Entertainment Technology, Los Angeles, CA, Mar. 2015. EXTERNAL
N. Fonseca, “Particle Systems for Creating Highly Complex Sound Design Content,” presented at the 137th Audio Engineering Society (AES) Convention, Los Angeles, CA, Oct. 2014. EXTERNAL
N. Fonseca, “Hybrid Channel-Object Approach for Cinema Post-Production Using Particle Systems,” presented at the 139th Audio Engineering Society (AES) Convention, New York, NY, Oct. 2015. EXTERNAL

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Nuno Fonseca; The Future of Audio Post-Production using Virtual 3D Scenes, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 9, 2016); SMPTE, 2016. Available at https://doi.org/10.5594/JMI.2016.2619439

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Nuno Fonseca; The Future of Audio Post-Production using Virtual 3D Scenes, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 9, 2016); SMPTE, 2016. Available at https://doi.org/10.5594/JMI.2016.2619439

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<span class="citation">Nuno Fonseca; <cite>The Future of Audio Post-Production using Virtual 3D Scenes</cite>, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 9, 2016); SMPTE, 2016. Available at <a href="https://doi.org/10.5594/JMI.2016.2619439" target="_blank" rel="noopener">https://doi.org/10.5594/JMI.2016.2619439</a></span>

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Nuno Fonseca; The Future of Audio Post-Production using Virtual 3D Scenes, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 9, 2016); SMPTE, 2016
doi: 10.5594/JMI.2016.2619439
url: https://doi.org/10.5594/JMI.2016.2619439

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<li>
Nuno Fonseca; <cite id="bib-10-5594-jmi-2016-2619439">The Future of Audio Post-Production using Virtual 3D Scenes</cite>, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 9, 2016); SMPTE, 2016
<span class="doi">10.5594/JMI.2016.2619439</span>
</li>