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SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016)
[ACTIVE]

An Analysis of System Contrast in Digital Cinema Auditoriums

Metadata

Publisher
SMPTE — White Plains, NY, USA
Doc Type
Journal Article
Content Type
Original Research
Abbreviated Title
SMPTE Mot. Imag. J
Volume
125, No. 4, pp. 40–49
Abstract
High dynamic range for digital cinema projectors demands both increased brightness and darker black levels. Projector contrast is commonly described as the ratio of peak white luminance to black state luminance, where these extremes are measured sequentially. However, in a typical movie, bright highlights and deep blacks coexist in the same frame, introducing a number of other factors greatly affecting perceived dynamic range. This paper reports on the relative impact of such factors, including lens veiling glare, port glass, room reflectivity, audience reflectivity, and room ambient lighting. We will report on recent studies that have measured typical auditorium and lens parameters, as well as a representative luminance of recent movies, which greatly impacts the degree to which stray light is reflected back onto the screen. Based on these factors, the resulting “system contrast ratio” of typical cinema screenings is calculated.
Publication Date
2016-05-01
DOI
10.5594/JMI.2016.2552938
ISSN
Print: 1545-0279 | Electronic: 2160-2492
Link
https://doi.org/10.5594/JMI.2016.2552938
Author(s)
Miller Schuck, ,
Peter Ludé, ,
Keyword(s)
Contrast, Dynamic Range, Laser, Measurement, Projection, Stereoscopic
Copyright
© 2016 IEEE

Bibliographic Reference(s)

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  • ISO Standard 9358:1994, “Veiling Glare of Image Forming Systems.” EXTERNAL
  • P. Ludé, “High dynamic range cinema, how black is black,” NAB Technology Summit on Cinema, Apr. 2015. EXTERNAL
  • R. Estes, “Effects of Stray Light on Picture Quality,” 1954–1955 Theater Catalog, Eastman Kodak Company, pp. 275–280. EXTERNAL
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Miller Schuck and Peter Ludé; An Analysis of System Contrast in Digital Cinema Auditoriums, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016); SMPTE, 2016. Available at https://doi.org/10.5594/JMI.2016.2552938
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Miller Schuck and Peter Ludé; An Analysis of System Contrast in Digital Cinema Auditoriums, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016); SMPTE, 2016. Available at https://doi.org/10.5594/JMI.2016.2552938

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Miller Schuck and Peter Ludé; An Analysis of System Contrast in Digital Cinema Auditoriums, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016); SMPTE, 2016. Available at https://doi.org/10.5594/JMI.2016.2552938
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<span class="citation">Miller Schuck and Peter Ludé; <cite>An Analysis of System Contrast in Digital Cinema Auditoriums</cite>, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016); SMPTE, 2016. Available at <a href="https://doi.org/10.5594/JMI.2016.2552938" target="_blank" rel="noopener">https://doi.org/10.5594/JMI.2016.2552938</a></span>

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Miller Schuck and Peter Ludé; An Analysis of System Contrast in Digital Cinema Auditoriums, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016); SMPTE, 2016
doi: 10.5594/JMI.2016.2552938
url: https://doi.org/10.5594/JMI.2016.2552938
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Miller Schuck and Peter Ludé; <cite id="bib-10-5594-jmi-2016-2552938">An Analysis of System Contrast in Digital Cinema Auditoriums</cite>, SMPTE Motion Imaging Journal ( Volume: 125, Issue: 4, 2016); SMPTE, 2016
<span class="doi">10.5594/JMI.2016.2552938</span>
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