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Transactions of the Society of Motion Picture Engineers ( Volume: 2, Issue: 6, April 1918)
[ACTIVE]

Artificial Light in the Motion Picture Studio

Metadata

Publisher
SMPTE
Doc Type
Journal Article
Article Type
research-article
Abstract
The mass digitization of analog archive holdings and the transition to tapeless production for new content mean that audiovisual (AV) archives now face the prospect of file-based archiving solutions using information technology (IT) storage methods. However, many important factors in this process remain unknown. What is the long-term total cost of ownership (TCO) of these systems, which file formats should be used, what storage technologies make sense, what are the risks involved, what is the additional cost of managing these risks, and what new software approaches can be applied? These issues are being explored by major broadcasters, national archives, and technology specialists in the PrestoPrime and AVATAR-m projects.
Publication Date
1918-04-01
DOI
10.5594/J18003
Link
https://doi.org/10.5594/J18003
Author(s)
Max Mayer
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Max Mayer; Artificial Light in the Motion Picture Studio, Transactions of the Society of Motion Picture Engineers ( Volume: 2, Issue: 6, April 1918); SMPTE, 1918. Available at https://doi.org/10.5594/J18003
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Max Mayer; Artificial Light in the Motion Picture Studio, Transactions of the Society of Motion Picture Engineers ( Volume: 2, Issue: 6, April 1918); SMPTE, 1918. Available at https://doi.org/10.5594/J18003

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Max Mayer; Artificial Light in the Motion Picture Studio, Transactions of the Society of Motion Picture Engineers ( Volume: 2, Issue: 6, April 1918); SMPTE, 1918. Available at https://doi.org/10.5594/J18003
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<span class="citation">Max Mayer; <cite>Artificial Light in the Motion Picture Studio</cite>, Transactions of the Society of Motion Picture Engineers ( Volume: 2, Issue: 6, April 1918); SMPTE, 1918. Available at <a href="https://doi.org/10.5594/J18003" target="_blank" rel="noopener">https://doi.org/10.5594/J18003</a></span>

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Preview:
Max Mayer; Artificial Light in the Motion Picture Studio, Transactions of the Society of Motion Picture Engineers ( Volume: 2, Issue: 6, April 1918); SMPTE, 1918
doi: 10.5594/J18003
url: https://doi.org/10.5594/J18003
Snippet:
<li>
Max Mayer; <cite id="bib-10-5594-j18003">Artificial Light in the Motion Picture Studio</cite>, Transactions of the Society of Motion Picture Engineers ( Volume: 2, Issue: 6, April 1918); SMPTE, 1918
<span class="doi">10.5594/J18003</span>
</li>