Digital Video Origination Vs. Film Origination: A Comparative Test
Metadata
- Publisher
- SMPTE — White Plains, NY, USA
- Doc Type
- Journal Article
- Content Type
- Original Research
- Abbreviated Title
- SMPTE J
- Volume
- 108, No. 2, pp. 119–126
- Abstract
- With the emergence of new digital video recording formats and the growing quality of video origination equipment, it has become attractive for many producers to consider these technologies in the production of features for television while addressing the possibility of a theatrical film release. This study attempts to compare, through the subjective evaluation of selected video and film-originated scenes, the various options that are available to low-budget filmmakers. A range of digital video cameras and digital video recording formats was tested and compared with film origination, which has been a reliable benchmark for quality theatrical viewing. This paper describes the production of the test materials and the nature of the comparative evaluation, which should help viewers come to their own conclusions.
- Publication Date
- 1999-02-01
- DOI
10.5594/J17123- ISSN
- Print:
0036-1682 - Link
- https://doi.org/10.5594/J17123
- Author(s)
- René VilleneuveNational Film Board of Canada, St. Laurent, Que., Canada H4N 2N4.
- Copyright
- © 1999 Society of Motion Picture and Television Engineers, Inc.
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René Villeneuve; Digital Video Origination Vs. Film Origination: A Comparative Test, SMPTE Journal ( Volume: 108, Issue: 2, February 1999); SMPTE, 1999. Available at https://doi.org/10.5594/J17123
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René Villeneuve; Digital Video Origination Vs. Film Origination: A Comparative Test, SMPTE Journal ( Volume: 108, Issue: 2, February 1999); SMPTE, 1999. Available at https://doi.org/10.5594/J17123
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René Villeneuve; Digital Video Origination Vs. Film Origination: A Comparative Test, SMPTE Journal ( Volume: 108, Issue: 2, February 1999); SMPTE, 1999. Available at https://doi.org/10.5594/J17123
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<span class="citation">René Villeneuve; <cite>Digital Video Origination Vs. Film Origination: A Comparative Test</cite>, SMPTE Journal ( Volume: 108, Issue: 2, February 1999); SMPTE, 1999. Available at <a href="https://doi.org/10.5594/J17123" target="_blank" rel="noopener">https://doi.org/10.5594/J17123</a></span>
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René Villeneuve; Digital Video Origination Vs. Film Origination: A Comparative Test, SMPTE Journal ( Volume: 108, Issue: 2, February 1999); SMPTE, 1999
doi: 10.5594/J17123
url: https://doi.org/10.5594/J17123
doi: 10.5594/J17123
url: https://doi.org/10.5594/J17123
Snippet:
<li> René Villeneuve; <cite id="bib-10-5594-j17123">Digital Video Origination Vs. Film Origination: A Comparative Test</cite>, SMPTE Journal ( Volume: 108, Issue: 2, February 1999); SMPTE, 1999 <span class="doi">10.5594/J17123</span> </li>