Digital Video Origination Vs. Film Origination: A Comparative Test
Metadata
- Publisher
- SMPTE — White Plains, NY, USA
- Doc Type
- Journal Article
- Content Type
- Original Research
- Abbreviated Title
- SMPTE J
- Volume
- 108, No. 2, pp. 119–126
- Abstract
- With the emergence of new digital video recording formats and the growing quality of video origination equipment, it has become attractive for many producers to consider these technologies in the production of features for television while addressing the possibility of a theatrical film release. This study attempts to compare, through the subjective evaluation of selected video and film-originated scenes, the various options that are available to low-budget filmmakers. A range of digital video cameras and digital video recording formats was tested and compared with film origination, which has been a reliable benchmark for quality theatrical viewing. This paper describes the production of the test materials and the nature of the comparative evaluation, which should help viewers come to their own conclusions.
- Publication Date
- 1999-02-01
- DOI
10.5594/J17123- ISSN
- Print:
0036-1682 - Link
- https://doi.org/10.5594/J17123
- Author(s)
- René VilleneuveNational Film Board of Canada, St. Laurent, Que., Canada H4N 2N4.
bio
René: Villeneuve has been the Director of Technical Services and Informatics at the National Film Board of Canada since April 1997. He heads the integrated technical motion picture and television production facilities of this Canadian government cultural agency and is also responsible for its Informatics division. — Villeneuve was trained as a still photographer but quickly shifted to audiovisual production. As a freelance technician, he went from multimedia work to television production before joining Kodak Canada in 1978. In 1981, as film laboratory manager at Sonolab, he introduced a new video duplication facility. Leaving Sonolab for the National Film Board of Canada in 1986, he was initially chief of the Visual Effects Department, and in 1988, he became the assistant director of technical and production services. A member of the SMPTE since 1978, Villeneuvw has held a variety of positions at the Section level (including secretary-treasurer and chairman) and was Canadian Governor from 1994-95. He also participated in organizing the 1984 SMPTE Television Conference held in Montreal and was involved in the Mini-Conferences organized by the Toronto-Montreal/ Qucbec-Ottawa and Rochester Sections from 1978 to 1992. He is also a member of the BKSTS. - Copyright
- © 1999 Society of Motion Picture and Television Engineers, Inc.
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René Villeneuve; Digital Video Origination Vs. Film Origination: A Comparative Test, SMPTE Journal ( Volume: 108, Issue: 2, February 1999); SMPTE, 1999. Available at https://doi.org/10.5594/J17123
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René Villeneuve; Digital Video Origination Vs. Film Origination: A Comparative Test, SMPTE Journal ( Volume: 108, Issue: 2, February 1999); SMPTE, 1999. Available at https://doi.org/10.5594/J17123
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René Villeneuve; Digital Video Origination Vs. Film Origination: A Comparative Test, SMPTE Journal ( Volume: 108, Issue: 2, February 1999); SMPTE, 1999. Available at https://doi.org/10.5594/J17123
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<span class="citation">René Villeneuve; <cite>Digital Video Origination Vs. Film Origination: A Comparative Test</cite>, SMPTE Journal ( Volume: 108, Issue: 2, February 1999); SMPTE, 1999. Available at <a href="https://doi.org/10.5594/J17123" target="_blank" rel="noopener">https://doi.org/10.5594/J17123</a></span>
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René Villeneuve; Digital Video Origination Vs. Film Origination: A Comparative Test, SMPTE Journal ( Volume: 108, Issue: 2, February 1999); SMPTE, 1999
doi: 10.5594/J17123
url: https://doi.org/10.5594/J17123
doi: 10.5594/J17123
url: https://doi.org/10.5594/J17123
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<li> René Villeneuve; <cite id="bib-10-5594-j17123">Digital Video Origination Vs. Film Origination: A Comparative Test</cite>, SMPTE Journal ( Volume: 108, Issue: 2, February 1999); SMPTE, 1999 <span class="doi">10.5594/J17123</span> </li>