The 1080p/24 Format: A Review

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Publisher: SMPTE
Doc Type: Journal Article
Article Type: research-article
Abstract: The 1080p/24 format has become widely popular for transferring film images to HDTV tape at the native 24 frame/sec film rate. The immediate appeal of 1080p/24 encouraged Sony, Panasonic, and others, to develop 24p cameras, to enable cinematographers to record directly into this video format. This paper is a review of the new format and some of the tools available to take advantage of the technology.
Publication Date: 2002-11-01
DOI: 10.5594/J16324
Link: https://doi.org/10.5594/J16324
Author(s): David Strachan

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David Strachan; The 1080p/24 Format: A Review, SMPTE Motion Imaging Journal ( Volume: 111, Issue: 11, November 2002); SMPTE, 2002. Available at https://doi.org/10.5594/J16324

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David Strachan; The 1080p/24 Format: A Review, SMPTE Motion Imaging Journal ( Volume: 111, Issue: 11, November 2002); SMPTE, 2002. Available at https://doi.org/10.5594/J16324

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David Strachan; The 1080p/24 Format: A Review, SMPTE Motion Imaging Journal ( Volume: 111, Issue: 11, November 2002); SMPTE, 2002. Available at https://doi.org/10.5594/J16324

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<span class="citation">David Strachan; <cite>The 1080p/24 Format: A Review</cite>, SMPTE Motion Imaging Journal ( Volume: 111, Issue: 11, November 2002); SMPTE, 2002. Available at <a href="https://doi.org/10.5594/J16324" target="_blank" rel="noopener">https://doi.org/10.5594/J16324</a></span>

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David Strachan; The 1080p/24 Format: A Review, SMPTE Motion Imaging Journal ( Volume: 111, Issue: 11, November 2002); SMPTE, 2002
doi: 10.5594/J16324
url: https://doi.org/10.5594/J16324

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David Strachan; <cite id="bib-10-5594-j16324">The 1080p/24 Format: A Review</cite>, SMPTE Motion Imaging Journal ( Volume: 111, Issue: 11, November 2002); SMPTE, 2002
<span class="doi">10.5594/J16324</span>
</li>