A 3-D Journey into Digital Intermediate (DI): Setting the Stage
Metadata
- Publisher
- SMPTE — White Plains, NY, USA
- Doc Type
- Journal Article
- Content Type
- Original Research
- Abbreviated Title
- SMPTE Mot. Imag. J
- Volume
- 117, No. 7, pp. 32–35
- Abstract
- Eyestrain, headaches, and fatigue are very real problems that need to be addressed, while creating good stereo imagery. Viewers are expected to perform eye gymnastics in order to watch some stereo presentations; for a short-format film, this can be tolerable, but for a full-length feature film, this is not acceptable. The left and right images need to be correctly aligned and color balanced in order to reduce these issues; shot to shot, the images need to flow, allowing the eyes to adjust over the cuts in a painless manner. Consequently, the DI suite becomes the place not only to make traditional color calls to satisfy the director's vision but also to quality-control the stereo images to make stereo-specific adjustments
- Publication Date
- 2008-10-01
- DOI
10.5594/J15035- ISSN
- Print:
1545-0279| Electronic:2160-2492 - Link
- https://doi.org/10.5594/J15035
- Author(s)
- Christopher Townsend
bio
Christopher Townsend graduated with a graphic design B.A. honors degree in England in 1988. He spent the next six years traveling and working in various countries, including China, Australia, New Zealand and Singapore. He specialized in graphic design and animation for broadcasting and television advertising, before moving to the U.S. to work on feature films at George Lucas' esteemed Industrial Light and Magic. Over the next 11 years, he worked as an artist and supervisor on some of the most influential visual effects movies of our time, including the rerelease of the original Star Wars: A New Hope , as well as the last three films in the trilogy; Mission: Impossible; The Lost World: Jurassic Park; Al: Artificial Intelligence; Hulk; Day After Tomorrow; The Island; The Chronicles of Narnia: The Lion, The Witch and The Wardrobe and the Academy Award winning Pirates of the Caribbean: Dead Man's Chest. He was the visual effects supervisor on Journey to the Center of the Earth , the Walden/New Line feature film that was theatrically released in Summer 2008, and directed by Academy Award winner Eric Brevig. More recently, Townsend has been supervising on location for Fox's Wolverine. - Copyright
- © 2008 Society of Motion Picture and Television Engineers, Inc.
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Christopher Townsend; A 3-D Journey into Digital Intermediate (DI): Setting the Stage, SMPTE Motion Imaging Journal ( Volume: 117, Issue: 7, October 2008); SMPTE, 2008. Available at https://doi.org/10.5594/J15035
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Christopher Townsend; A 3-D Journey into Digital Intermediate (DI): Setting the Stage, SMPTE Motion Imaging Journal ( Volume: 117, Issue: 7, October 2008); SMPTE, 2008. Available at https://doi.org/10.5594/J15035
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Christopher Townsend; A 3-D Journey into Digital Intermediate (DI): Setting the Stage, SMPTE Motion Imaging Journal ( Volume: 117, Issue: 7, October 2008); SMPTE, 2008. Available at https://doi.org/10.5594/J15035
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<span class="citation">Christopher Townsend; <cite>A 3-D Journey into Digital Intermediate (DI): Setting the Stage</cite>, SMPTE Motion Imaging Journal ( Volume: 117, Issue: 7, October 2008); SMPTE, 2008. Available at <a href="https://doi.org/10.5594/J15035" target="_blank" rel="noopener">https://doi.org/10.5594/J15035</a></span>
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Christopher Townsend; A 3-D Journey into Digital Intermediate (DI): Setting the Stage, SMPTE Motion Imaging Journal ( Volume: 117, Issue: 7, October 2008); SMPTE, 2008
doi: 10.5594/J15035
url: https://doi.org/10.5594/J15035
doi: 10.5594/J15035
url: https://doi.org/10.5594/J15035
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<li> Christopher Townsend; <cite id="bib-10-5594-j15035">A 3-D Journey into Digital Intermediate (DI): Setting the Stage</cite>, SMPTE Motion Imaging Journal ( Volume: 117, Issue: 7, October 2008); SMPTE, 2008 <span class="doi">10.5594/J15035</span> </li>