Color Kinescope Recording on Embossed Film
Metadata
- Publisher
- SMPTE — White Plains, NY, USA
- Doc Type
- Journal Article
- Content Type
- Original Research
- Abbreviated Title
- J SMPTE
- Volume
- 65, No. 7, pp. 365–372
- Abstract
- In the past, a special form of black-and-white film, with tiny cylindrical lenses embossed in its base, has been employed in conjunction with a banded color filter for additive color photography. Such film is readily adaptable to color kinescope recording, and in this application the banded filter is not required. Color aspects of the problem can be left to the television system. The advantages of color kinescope recording on embossed film include economy, faithful color reproduction, high efficiency and rapid film processing. The latter is particularly important in meeting the demands of time-zone-delayed broadcasting, or “quick kine.” Prints for subsequent distribution can be made on ordinary subtractive color films.
- Publication Date
- 1956-07-01
- DOI
10.5594/J13950- ISSN
- Print:
0361-4573 - Link
- https://doi.org/10.5594/J13950
- Author(s)
- C. H. EvansResearch Laboratories, Eastman Kodak Co., Rochester 4, N.Y.R. R. SmithResearch Laboratories, Eastman Kodak Co., Rochester 4, N.Y.
- Copyright
- © 1956 Society of Motion Picture and Television Engineers, Inc.
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C. H. Evans and R. R. Smith; Color Kinescope Recording on Embossed Film, Journal of the SMPTE ( Volume: 65, Issue: 7, July 1956); SMPTE, 1956. Available at https://doi.org/10.5594/J13950
Snippet:
C. H. Evans and R. R. Smith; Color Kinescope Recording on Embossed Film, Journal of the SMPTE ( Volume: 65, Issue: 7, July 1956); SMPTE, 1956. Available at https://doi.org/10.5594/J13950
HTML (ISO 690 compliant)
Preview:
C. H. Evans and R. R. Smith; Color Kinescope Recording on Embossed Film, Journal of the SMPTE ( Volume: 65, Issue: 7, July 1956); SMPTE, 1956. Available at https://doi.org/10.5594/J13950
Snippet:
<span class="citation">C. H. Evans and R. R. Smith; <cite>Color Kinescope Recording on Embossed Film</cite>, Journal of the SMPTE ( Volume: 65, Issue: 7, July 1956); SMPTE, 1956. Available at <a href="https://doi.org/10.5594/J13950" target="_blank" rel="noopener">https://doi.org/10.5594/J13950</a></span>
SMPTE's HTML Pub
Preview:
C. H. Evans and R. R. Smith; Color Kinescope Recording on Embossed Film, Journal of the SMPTE ( Volume: 65, Issue: 7, July 1956); SMPTE, 1956
doi: 10.5594/J13950
url: https://doi.org/10.5594/J13950
doi: 10.5594/J13950
url: https://doi.org/10.5594/J13950
Snippet:
<li> C. H. Evans and R. R. Smith; <cite id="bib-10-5594-j13950">Color Kinescope Recording on Embossed Film</cite>, Journal of the SMPTE ( Volume: 65, Issue: 7, July 1956); SMPTE, 1956 <span class="doi">10.5594/J13950</span> </li>
Referenced By
- Progress Committee Report for 1957 [Active]
- A Short History of Television Recording: Part II [Active]
- Densitometry of an Embossed Kinescope Recording Film [Active]
- The Optics of the Lenticular Color-Film Process [Active]
- Devices for Making Sensitometric Exposures on Embossed Kinescope Recording Film [Active]
- Progress Committee Report for 1956 [Active]
- Color in the Motion-Picture Industry [Active]