Shutter-Bar in Television Film Recording
Metadata
- Publisher
- SMPTE — White Plains, NY, USA
- Doc Type
- Journal Article
- Content Type
- Original Research
- Abbreviated Title
- J SMPTE
- Volume
- 70, No. 11, pp. 898–903
- Abstract
- Conversion from the rate of 60 television fields per second to 24 film frames per second in television recording is generally accomplished by omitting from the record every fifth consecutive half-field. Consequently, there is a picture splice across the center of every other film frame. In a camera having a properly adjusted mechanical shutter, all points of the picture receive the correct total exposure. However, the exposure intensity and time relationships differ for points inside and outside the splice, and this can lead to a density difference across the splice. This form of shutter-bar has been eliminated in the new experimental recording film described.
- Publication Date
- 1961-11-01
- DOI
10.5594/J13734- ISSN
- Print:
0361-4573 - Link
- https://doi.org/10.5594/J13734
- Author(s)
- C. H. EvansResearch Laboratories, Eastman Kodak Co., Rochester 4, N.Y.
- Copyright
- © 1961 Society of Motion Picture and Television Engineers, Inc.
Bibliographic Reference(s)
- Shutter Cycles for Television Film Recording [Active]
- The Picture Splice as a Problem of Video Recording [Active]
- 3. Athey S. W. , “The mechanics of TV recording,” Audio Eng. , 34 : V4 – V8 (V14), May 1950 . EXTERNAL
- 4. Webb J. H. , “Relationship between reciprocity law failure and the intermittency effect in photographic exposure,” J. Opt. Soc. Am. , 23 : 157 – 169 , May 1933 . EXTERNAL
- 5. Webb J. H. Evans C. H. , “The failure of the photographic reciprocity law at low intensity,” J. Opt. Soc. Am. , 28 : 431 – 436 , Nov. 1938 . EXTERNAL
- 6. Burton P. C. Berg W. F. , “Study of latent-image formation by a double-exposure technique,” Phot. J. , 86B : 2 – 24 , Jan.-Feb. 1946 . EXTERNAL
- 7. Berg W. F. Marriage A. Stevens G. W. W. , “Latent-image distribution,” Phot. J. , 81 : 413 – 424 , Sept. 1941 ; and J. Opt. Soc. Am. , 31: 385–394, May 1941. EXTERNAL
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C. H. Evans; Shutter-Bar in Television Film Recording, Journal of the SMPTE ( Volume: 70, Issue: 11, November 1961); SMPTE, 1961. Available at https://doi.org/10.5594/J13734
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C. H. Evans; Shutter-Bar in Television Film Recording, Journal of the SMPTE ( Volume: 70, Issue: 11, November 1961); SMPTE, 1961. Available at https://doi.org/10.5594/J13734
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C. H. Evans; Shutter-Bar in Television Film Recording, Journal of the SMPTE ( Volume: 70, Issue: 11, November 1961); SMPTE, 1961. Available at https://doi.org/10.5594/J13734
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<span class="citation">C. H. Evans; <cite>Shutter-Bar in Television Film Recording</cite>, Journal of the SMPTE ( Volume: 70, Issue: 11, November 1961); SMPTE, 1961. Available at <a href="https://doi.org/10.5594/J13734" target="_blank" rel="noopener">https://doi.org/10.5594/J13734</a></span>
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C. H. Evans; Shutter-Bar in Television Film Recording, Journal of the SMPTE ( Volume: 70, Issue: 11, November 1961); SMPTE, 1961
doi: 10.5594/J13734
url: https://doi.org/10.5594/J13734
doi: 10.5594/J13734
url: https://doi.org/10.5594/J13734
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<li> C. H. Evans; <cite id="bib-10-5594-j13734">Shutter-Bar in Television Film Recording</cite>, Journal of the SMPTE ( Volume: 70, Issue: 11, November 1961); SMPTE, 1961 <span class="doi">10.5594/J13734</span> </li>