Super 16 — A Technical Note

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Publisher: SMPTE
Doc Type: Journal Article
Article Type: research-article
Abstract: Blowing up l6mm to 35mm is nothing new. The possibilities of the handheld sync camera, small crews and extreme mobility have attracted many producers, directors and cameramen during the last decade. The greatest hindrance for a wider use of 16mm in feature film production has been the loss of picture quality in the blowup process. Very few improvements have been made in this area within the last few years. One step forward was the introduction of Eastman Kodak's Reversal Intermediate Film Type 5249. It brought us one generation closer when using negative.
Publication Date: 1970-10-01
DOI: 10.5594/J13589
Link: https://doi.org/10.5594/J13589
Author(s): Lars Swanberg

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Lars Swanberg; Super 16 — A Technical Note, Journal of the SMPTE ( Volume: 79, Issue: 10, October 1970); SMPTE, 1970. Available at https://doi.org/10.5594/J13589

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Lars Swanberg; Super 16 — A Technical Note, Journal of the SMPTE ( Volume: 79, Issue: 10, October 1970); SMPTE, 1970. Available at https://doi.org/10.5594/J13589

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Lars Swanberg; Super 16 — A Technical Note, Journal of the SMPTE ( Volume: 79, Issue: 10, October 1970); SMPTE, 1970. Available at https://doi.org/10.5594/J13589

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<span class="citation">Lars Swanberg; <cite>Super 16 — A Technical Note</cite>, Journal of the SMPTE ( Volume: 79, Issue: 10, October 1970); SMPTE, 1970. Available at <a href="https://doi.org/10.5594/J13589" target="_blank" rel="noopener">https://doi.org/10.5594/J13589</a></span>

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Preview:

Lars Swanberg; Super 16 — A Technical Note, Journal of the SMPTE ( Volume: 79, Issue: 10, October 1970); SMPTE, 1970
doi: 10.5594/J13589
url: https://doi.org/10.5594/J13589

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Lars Swanberg; <cite id="bib-10-5594-j13589">Super 16 — A Technical Note</cite>, Journal of the SMPTE ( Volume: 79, Issue: 10, October 1970); SMPTE, 1970
<span class="doi">10.5594/J13589</span>
</li>