Doomsday for Film: The Crisis in Motion-Picture Archives

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Publisher: SMPTE
Doc Type: Journal Article
Article Type: research-article
Abstract: Each year there are twice as many new films being produced in the United States as there are books being published. To collect, restore, house, preserve and catalog significant samples of this torrential output poses vast economic and engineering problems. A national, industry-wide program of motion-picture archives is desperately needed.
Publication Date: 1963-05-01
DOI: 10.5594/J07794
Link: https://doi.org/10.5594/J07794
Author(s): John Flory

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John Flory; Doomsday for Film: The Crisis in Motion-Picture Archives, Journal of the SMPTE ( Volume: 72, Issue: 5, May 1963); SMPTE, 1963. Available at https://doi.org/10.5594/J07794

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John Flory; Doomsday for Film: The Crisis in Motion-Picture Archives, Journal of the SMPTE ( Volume: 72, Issue: 5, May 1963); SMPTE, 1963. Available at https://doi.org/10.5594/J07794

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John Flory; Doomsday for Film: The Crisis in Motion-Picture Archives, Journal of the SMPTE ( Volume: 72, Issue: 5, May 1963); SMPTE, 1963. Available at https://doi.org/10.5594/J07794

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<span class="citation">John Flory; <cite>Doomsday for Film: The Crisis in Motion-Picture Archives</cite>, Journal of the SMPTE ( Volume: 72, Issue: 5, May 1963); SMPTE, 1963. Available at <a href="https://doi.org/10.5594/J07794" target="_blank" rel="noopener">https://doi.org/10.5594/J07794</a></span>

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John Flory; Doomsday for Film: The Crisis in Motion-Picture Archives, Journal of the SMPTE ( Volume: 72, Issue: 5, May 1963); SMPTE, 1963
doi: 10.5594/J07794
url: https://doi.org/10.5594/J07794

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John Flory; <cite id="bib-10-5594-j07794">Doomsday for Film: The Crisis in Motion-Picture Archives</cite>, Journal of the SMPTE ( Volume: 72, Issue: 5, May 1963); SMPTE, 1963
<span class="doi">10.5594/J07794</span>
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