{ "$schema": "/api/schemas/documents.schema.json", "apiVersion": "1.0.0", "generatedAt": "2026-07-09T21:16:49.031Z", "sourcePath": "src/main/data/docs", "docId": "10.5594-M00544", "document": { "abstract": "A previous paper1 discussed the advantages of multi-level compositing when compared with “one layer at a time” techniques, and described the architecture of a system designed to provide multi-layer capabilities in the digital domain. This paper examines a number of issues which affect the quality of composited images in the digital domain, and solutions implemented in the Grass Valley Group Kaleidoscope and Kadenza systems.", "abstract$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M00544.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "authors": [ { "affiliation": "The Grass Valley Group, Inc. Grass Valley, California", "bio": "Peter Symes graduated from the University College of North Wales, Bangor, in 1967 and joined the Studio Capital Projects Department of the British Broad casting Corp. He worked on planning and installation of studios andcentral areas until 1973, when he joined Pye TVI's Limited as an are a manager. He subsequently became Pye TVTs product manager for Central Dynamics equipment, and in 1976 joined Central Dynamics in Montreal, initially in international sales and thenas product manager. In 1983, Symes joined Grass Valley Group. He works as a product planning engineer for the marketing department of Production Systems Division, and his responsibilities include the 300-line of production switchers, the Kaleidoscope digital effects system, and the Kadenza digital picture processor.", "name": "Peter D. Symes" } ], "authors$meta": { "confidence": "high", "note": "Object form (schema 2.3.0) migrated from string form via migrateAuthorsToObjectForm.js; bio/affiliation backfilled from _source/SMPTE/HIGHWIRE/ NLM ++", "source": "parsed", "updated": "2026-06-23T00:04:25.562Z", "version": "authors-migrate-object-form@v1" }, "contentType": "orig-research", "contentType$meta": { "confidence": "high", "note": "Canonical-confirmed full paper (summary-abstract set is orig-research in the SMPTE canonical repos); HIGHWIRE-era abstract label was a delivery artifact", "originalValue": "summary-abstract", "source": "resolved", "updated": "2026-07-09T19:12:47.628Z", "version": "contenttype-fixes@v1" }, "copyright": { "holder": "Society of Motion Picture and Television Engineers, Inc.", "holder$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M00544.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "year": "1988", "year$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M00544.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" } }, "copyright$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M00544.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "docId": "10.5594-M00544", "docId$meta": { "confidence": "high", "note": "Derived from DOI 10.5594/M00544", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "docLabel": "SMPTE Meetings and Conferences ( January 1988)", "docLabel$meta": { "confidence": "medium", "note": "Composed from venue title, volume/issue and date", "source": "inferred", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "docTitle": "Real-Time Multi-Level Digital Compositing—Quality Issues", "docTitle$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M00544.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "docType": "Conference Paper", "docType$meta": { "confidence": "high", "note": "NLM
— SMPTE conference paper", "source": "inferred", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "doi": "10.5594/M00544", "doi$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M00544.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "href": "https://doi.org/10.5594/M00544", "href$meta": { "confidence": "high", "note": "Constructed from DOI 10.5594/M00544", "source": "inferred", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "number": "16", "number$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M00544.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "pages": "351–356", "pages$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M00544.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "publicationDate": "1988-01-01", "publicationDate$meta": { "confidence": "high", "note": "Day absent in NLM source — padded to 01", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "publisher": "SMPTE", "publisher$meta": { "confidence": "high", "note": "Normalised to registry \"SMPTE\" convention from NLM publisher-name (The Society of Motion Picture and Television Engineers)", "source": "inferred", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "publisherLocation": { "city": "White Plains, NY", "city$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M00544.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" } }, "publisherLocation$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M00544.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "references": { "bibliographic": [ "orphan/10.5594-M00544/bibr1-10.5594_M00544", "orphan/10.5594-M00544/bibr2-10.5594_M00544" ], "bibliographic$meta": { "confidence": "medium", "note": "Extracted from NLM via extractSmpteConferenceRefs.js (orphan-slug-mint)", "source": "parsed", "updated": "2026-07-06T20:02:43.384Z" } }, "resolvedHref": "https://journal.smpte.org/conferences/Television%20Technology%20in%20Transition:%2022nd%20Annual%20SMPTE%20Television%20Conference/28/", "resolvedHref$meta": { "confidence": "high", "note": "Backfilled from url.validate report #resolvedHref", "originalValue": null, "source": "resolved", "updated": "2026-06-19T20:59:07.439Z" }, "status": { "active": true, "active$meta": { "confidence": "medium", "note": "No explicit status in NLM source — conference papers default active", "source": "inferred", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" } }, "volume": "1988", "volume$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptem/10.5594_M00544.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" } } }