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    "abstract": "In June 1999, Texas Instruments partnered with Lucasfilm to premier the first fully digital release of a major motion picture. “Star Wars: Episode 1 - The Phantom Menace” was shown at two theaters with DLP Cinema™ projection technology. Subsequently, field trials of DLP Cinema™ prototype projectors have been conducted in over 45 theaters in the U.S., Canada, Europe and Japan, with an audience of over 4.0 million. Results of these field trials are currently being incorporated into designs for volume production. Key to the performance of DLP Cinema™ projection systems is the linearity and stability of the DMD. The DMD's method of accurate digital data display is described and in-theater measurement data is presented. The system stability and linearity are then utilized in the development of a color management methodology for the distribution and playback of content. This paper provides an overview of DLP Cinema™ projection technology, with emphasis on color management and signal processing.",
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        "affiliation": "Texas Instruments Plano, Texas",
        "bio": "Mr. Pettitt received his BSEE and MSEE from Oklahoma State University in 1982 and 1983, respectively. In 1994, Mr. Pettitt joined Texas Instruments, working in the areas of target tracking, system modeling, and simulation. In 1993, he joined the DLP™ Products group at Texas Instruments, where he has worked in video signal processing algorithm development, projection display modeling, color management, and electronic cinema.",
        "name": "Greg Pettitt"
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      {
        "affiliation": "Texas Instruments Plano, Texas",
        "bio": "Mr. Walker received a BSEE from Rice University in 1983. He has over 18 years experience in video and film post-production, equipment design, and manufacturing. He has worked with various manufacturers and post-production companies on a wide range of film and video products. In 1998, Mr. Walker joined the Texas Instruments DLP Cinema™ team, and has developed a number of key elements and features in signal processing and color management, including the overall system architecture. He currently leads the DLP Cinema™ Systems Engineering team.",
        "name": "Brad Walker"
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