{ "$schema": "/api/schemas/documents.schema.json", "apiVersion": "1.0.0", "generatedAt": "2026-07-09T21:16:49.031Z", "sourcePath": "src/main/data/docs", "docId": "10.5594-M001545", "document": { "abstract": "Immersive audio is appearing more frequently in modern cinematic storytelling. In traditional sound mixing, scenarios can occur in which a first sound has a tight semantic coupling to a second sound, for example a gunshot and ricochet, or a handclap and its reverberation. In immersive sound systems, such precedent and consequent sounds may be directed to different locations so as to envelope the audience. When consequent sounds are not managed, the psychoacoustic principle known as the “Haas Effect” can result in portions of an audience misunderstanding the placement of precedent sounds, momentarily disrupting their experience. A series of immersive sound examples demonstrates the resulting problem and the effectiveness of a proposed management technique, applicable to object-based, wave field synthesis, and ambisonic reproduction.", "abstract$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/ORIGINAL SAMPLES/Conferences/smptem_2014_10/smptem_2014_10.xml/10.5594_M001545.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "authors": [ { "affiliation": "Technicolor Digital Cinema 2233 N Ontario St. #300, Burbank, CA 91504, USA bill.redmann@technicolor.com", "name": "William Redmann" } ], "authors$meta": { "confidence": "high", "note": "Object form (schema 2.3.0) migrated from string form via migrateAuthorsToObjectForm.js; bio/affiliation backfilled from _source/SMPTE/HIGHWIRE/ NLM ++", "source": "parsed", "updated": "2026-06-23T00:04:25.562Z", "version": "authors-migrate-object-form@v1" }, "contentType": "orig-research", "contentType$meta": { "confidence": "high", "note": "Canonical-confirmed full paper (summary-abstract set is orig-research in the SMPTE canonical repos); HIGHWIRE-era abstract label was a delivery artifact", "originalValue": "summary-abstract", "source": "resolved", "updated": "2026-07-09T19:12:47.628Z", "version": "contenttype-fixes@v1" }, "copyright": { "holder": "Society of Motion Picture and Television Engineers, Inc.", "holder$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/ORIGINAL SAMPLES/Conferences/smptem_2014_10/smptem_2014_10.xml/10.5594_M001545.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "year": "2014", "year$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/ORIGINAL SAMPLES/Conferences/smptem_2014_10/smptem_2014_10.xml/10.5594_M001545.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" } }, "copyright$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/ORIGINAL SAMPLES/Conferences/smptem_2014_10/smptem_2014_10.xml/10.5594_M001545.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "docId": "10.5594-M001545", "docId$meta": { "confidence": "high", "note": "Derived from DOI 10.5594/M001545", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "docLabel": "SMPTE Meetings and Conferences ( October 2014)", "docLabel$meta": { "confidence": "medium", "note": "Composed from venue title, volume/issue and date", "source": "inferred", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "docTitle": "Management of Consequent Sounds in Immersive Sound Systems", "docTitle$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/ORIGINAL SAMPLES/Conferences/smptem_2014_10/smptem_2014_10.xml/10.5594_M001545.xml)", "source": "parsed", "updated": "2026-05-22T21:44:19.125Z", "version": "smpte-conference-paper-nlm@v1" }, "docType": "Conference Paper", "docType$meta": { "confidence": "high", "note": "NLM
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