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    "abbrevTitle": "SMPTE Motion Imaging Jour.",
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    "abstract": "Virtual Production (VP) technologies enhance on-set filming and live concerts through high-resolution, high-brightness LED panels. Due to technical challenges like synchronization and color balancing, the industry prefers resource-intensive lossless compression for displays. Modern lossy standards (AV1, H.265) could maintain quality while reducing resource demands, yet no agreed methodology exists for assessing their in-camera impact. We present a method comparing lossless and lossy compressed footage displayed through VP screens and recorded in-camera. Our assessment compares HAP/NotchLC/Daniel2 intermediate codecs with hardware Nvidia Encoders (NVENC) using AV1/HEVC/H.264 compression at bitrates from 2–2000 Mbit/s with various GOP sizes using different perceptual quality metrics. Results demonstrate hybrid codecs achieve equivalent quality to intermediate encoders at significantly lower bitrates and storage requirements.",
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    "authors": [
      {
        "name": "Vibhoothi Vibhoothi"
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      {
        "name": "Julien Zouein"
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      {
        "name": "Francois Pitie"
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      {
        "name": "Christopher Nash"
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      {
        "name": "James Bentley"
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      {
        "name": "Philip Coulam-Jones"
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      {
        "name": "Anil Kokaram"
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    "docLabel": "MIJ 2025, Volume 134, Number 3 (pp. 44 to 54)",
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    "docTitle": "Demystifying the Use of Compression in Virtual Production",
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    },
    "doi": "10.5594/JMI.2025/MJPY7062",
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    "href": "https://doi.org/10.5594/JMI.2025/MJPY7062",
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    "issn": {
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    "journalTitle": "SMPTE Motion Imaging Journal",
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    "keywords": [
      "Virtual Production",
      "Compression",
      "HEVC",
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    "number": "3",
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    "pages": "44–54",
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    "publicationDate": "2025-05-01",
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