{ "$schema": "/api/schemas/documents.schema.json", "apiVersion": "1.1.0", "lastModified": "2026-10-15T10:03:40.282Z", "sourcePath": "src/main/data/docs", "docId": "10.5594-JMI.2022.3189040", "document": { "abbrevTitle": "SMPTE Mot. Imag. J", "abbrevTitle$meta": { "confidence": "high", "note": "Ingested from SMPTE IDAMS (_source/SMPTE/Journal Article Repository/2022/7261654/9868266/09868274.xml) via idamsIngest.js", "source": "parsed", "updated": "2026-10-07T17:09:33.718Z", "version": "smpte-idams-publication@v1" }, "abstract": "The ASC MITC has provided leadership throughout the transition of our industry from film to digital including the development of digital techniques and technologies for making movies and television. Continued developments in digital motion imaging technologies, along with significant changes in the production environment, require our continued participation to best ensure that these rapidly advancing technologies effectively serve the creative interests of cinematographers and their filmmaking collaborators in ways that enhance their ability to achieve their creative vision.", "abstract$meta": { "confidence": "high", "note": "Ingested from SMPTE IDAMS (_source/SMPTE/Journal Article Repository/2022/7261654/9868266/09868274.xml) via idamsIngest.js", "source": "parsed", "updated": "2026-10-07T17:09:33.718Z", "version": "smpte-idams-publication@v1" }, "authors": [ { "bio": "Curtis Clark, ASC studied theater directing at the Art Institute of Chicago’s Goodman School of Drama and cinematography at the London Film School. After graduation, he began his career by shooting and directing documentary films in Britain before transitioning to shooting feature films and TV commercials in Britain and the U.S. Curtis received the 2012 American Society of Cinematographers (ASC) President’s Award, as well as the prestigious 2019 Motion Picture Academy’s John A. Bonner Award in recognition of his extraordinary service to the motion picture industry. As a member of the Academy of Motion Pictures Arts and Sciences (AMPAS), Clark worked on the development and implementation of ACES, the Academy’s Color Encoding System. Curtis has also overseen numerous achievements as Chairman of the ASC Motion Imaging Technology Council, which he has helmed since its inception in 2003. Under Clarke’s leadership, the Council collaborated with Digital Cinema Initiatives, LLC (DCI) to produce standard evaluation material for assessing the performance of projectors and other elements of DCI standards-based digital cinema systems, as well as the 2009 Camera Assessment Series and 2012 Image Control Assessment Series. Curtis also supported the Council’s groundbreaking project to create cross-platform data exchange for primary RGB digital color correction, known as the ASC CDL (Color Decision List). The ASC CDL was recognized by the Academy of Television Arts and Sciences with a 2012 Primetime Emmy Award, and Curtis received a 2014 AMPAS Technical Achievement Award for his work on the ASC CDL. Most recently, Clark served as executive producer on the “Standard Evaluation Material V2” (StEM2), the follow-up to the ASC’s original StEM project. StEM2 has been created to address the challenges of utilizing an increasingly complex digital motion imaging workflow to create and maintain the integrity of the filmmaker’s creative intent. In recognition of his motion imaging technology leadership over the past 20 years, the ASC has created this year a new ASC Award, the “Curtis Clark Technical Achievement Award,” which will be awarded annually to a selected recipient acknowledging outstanding technical achievement.", "name": "Curtis Clark" }, { "affiliation": "D-Cinema Consulting, USA", "bio": "David Reisner received a 2014 Academy Technical Achievement Award, a 2014 Hollywood Post Alliance Judges Award for Creativity and Innovation, and in 2012 was recognized by the Academy of Television Arts and Sciences with a prestigious Prime Time EMMY Engineering Award as co-creator, co-designer, and project lead of the ASC CDL – used in the workflow of nearly every motion picture, scripted TV, and visual effects turnover worldwide. Reisner conceived, proposed, was lead-designer, and co-producer of the ASC-DCI StEM Standard Evaluation Material which set the quality required to convert the world’s movie system from film to digital, and Vice-Chaired the SMPTE Working Groups responsible for digital cinema imaging - showing on nearly all cinema screens worldwide - and security standards - protecting $35B of IP each year. He also had leading roles in conception, design, and production of the ASC-PGA CAS Camera Assessment Series, the ICAS Image Control Assessment Series, and elements of the Academy Color Encoding System. Reisner has been a Founder, a Partner, and a CTO in computer and in entertainment companies. He helped originate digital audio and his “firsts” include the handheld programmable computer, the handheld digital media player, the portable source-level debugger, 57,000-bit Very Very Long Integer arithmetic, and VLIW computer architecture - one of the original enablers of multi-processor computing. He provided editorial assistance on the first textbook on neural network Artificial Intelligence and Machine Learning, originated Pervasive Computing - a parent of Internet of Things/IoT, proposed emergent networking for smart dust, and helped develop the first popular byte-code virtual machine (before Java’s JVM). He has shot celebrity and fashion for books and magazines including Vogue Italia, produced concerts internationally, and trained killer whales. Reisner is well-published in books and technical articles, has spoken widely including NAB, SMPTE, IMAGO, and a 29,000-viewer webcast, and on manned space exploration to a standing-room-only crowd at the 2014 International Space Development Conference. He is a SMPTE Fellow; Vice-Chair and Founding-Secretary of the ASC Motion Imaging Technology Council; an ASC Associate; a Member of the Visual Effects Society; a co-author of the “VES Handbook of Visual Effects”; and his committees have recommended some of the highest profile Academy Scientific and Technical Awards.", "name": "David Reisner" }, { "bio": "Jay Holben is an independent producer and director in Los Angeles, CA. A former cinematographer, he is the author of three books on cinematography and editor for American Cinematographer Magazine, Holben recently directed, produced and wrote the StEM2 film The Mission", "name": "Jay Holben" }, { "bio": "Wendy Aylsworth a Lifetime Fellow and former president of SMPTE, Wendy Aylsworth brings emerging technologies into entertainment production and distribution usage providing technical consulting and strategic board guidance. Wendy is Governor at the Television Academy (Sci/Tech) and on the Hollywood Professional Association board. Wendy received the Jenkins Lifetime Achievement Emmy from the Television Academy. Wendy holds a BSCE (UofMich) and MS/MBA (USC).", "name": "Wendy Aylsworth" }, { "bio": "Greg Ciaccio, Sr director of Original Content at IMAX, has served in executive operations management positions for Creative Service divisions at Sim, Ascent, Technicolor, and Deluxe, and has led product development teams creating leading-edge products including Technicolor’s DP Lights and Deluxe’s Mobilabs near-set dailies solutions.", "name": "Greg Ciaccio" }, { "bio": "Tim Kang is a Los Angeles-based cinematographer, working in the film & TV industries primarily as a director of photography on narrative, commercial, music video, and documentary projects.", "name": "Tim Kang" }, { "bio": "Jesse Korosi is the manager, production technology solutions at Netflix, an Associate Member at the ASC, the 2016 HPA Emerging Leader award winner, Studio Daily Top 50 award winner, the former chair/founder of the HPA’s YEP committee, current chair of the ASC’s Advanced Data Management subcommittee leading the ASC MHL & ASC FDL initiatives, and HPA’s ’Through The Frame’ podcast host. With experience in the business and strategy side of post-production, partnered with a technical skill set from working hands on in post and production, and also having personally led several development teams.", "name": "Jesse Korosi" }, { "bio": "Patrick Renner is a specialist in designing and developing media management and video processing applications for production and post-production workflows. He co-founded the software company Pomfort that develops applications and services used in professional film productions worldwide. Renner is a Working Group Lead of the ASC MITC Advanced Data Management Subcommittee and a member of the ACES Implementation Technical Advisory Council.", "name": "Patrick Renner" }, { "bio": "David Hall is a production workflow technologist at Netflix, providing direct support to a wide range of scripted projects as well as contributing to the evaluation and documentation of emerging technologies and standards.", "name": "David Hall" }, { "bio": "Michael Goi, ASC, ISC, is a director, cinematographer and producer. He co-chairs the DGA Television Task Force and serves as an alternate to the DGA Western Director’s Council and the DGA National Board.", "name": "Michael Goi" }, { "bio": "David Morin is Director, Industry Relations at Epic Games, where he works with the industry and the Unreal Engine team to develop open standards and the use of open- source software. He also serves as the Executive Director of the Academy Software Foundation, a non-profit created by the motion picture industry to develop the use of open-source software in all media.", "name": "David Morin" }, { "bio": "Gary Mandle is Sr. Research Scientist at Baylor University FDM. He has been working on new display development for more than 35 years as both a design engineer and product strategist. Prior to joining Baylor, he was a Sr. Product Manager at Sony Professional Solutions Group.", "name": "Gary Mandle" }, { "bio": "Jim Fancher developed next-generation technology in digital asset management for Deluxe Digital Media in Burbank, CA. Previously, he was chief science officer at the Thomson Corporate Research facility in Burbank, where he worked on cluster computing architectures for image processing, 3D color correction systems, and digital asset management technology.", "name": "James Fancher" }, { "bio": "Gary Demos has been a pioneer in the development of computergenerated images and digital image processing for use in motion pictures. He co-founded Digital Productions (1982–1986), and was awarded an Academy of Motion Picture Arts and Sciences (AMPAS) Scientific and Engineering Award in 1984 along with John Whitney Jr. “For the Practical Simulation of Motion Picture Photograph By Means of Computer-Generated Images.” Demos also founded DemoGraFX (1988–2003), and Image Essence LLC, Perris, CA (2005 to present). He is a SMPTE Life Fellow, and received the 2012 SMPTE Digital Processing Medal. Demos is also a 2021 VES honorary member. Demos is the inventor of approximately 100 patents.", "name": "Gary Demos" } ], "authors$meta": { "confidence": "high", "note": "Ingested from SMPTE IDAMS (_source/SMPTE/Journal Article Repository/2022/7261654/9868266/09868274.xml) via idamsIngest.js", "source": "parsed", "updated": "2026-10-07T17:09:33.718Z", "version": "smpte-idams-publication@v1" }, "contentType": "orig-research", "contentType$meta": { "confidence": "high", "note": "Ingested from SMPTE IDAMS (_source/SMPTE/Journal Article Repository/2022/7261654/9868266/09868274.xml) via idamsIngest.js", "source": "parsed", "updated": "2026-10-07T17:09:33.718Z", "version": "smpte-idams-publication@v1" }, "copyright": { "holder": "SMPTE", "holder$meta": { "confidence": "high", "note": "Ingested from SMPTE IDAMS (_source/SMPTE/Journal Article Repository/2022/7261654/9868266/09868274.xml) via idamsIngest.js", "source": "parsed", "updated": "2026-10-07T17:09:33.718Z", "version": "smpte-idams-publication@v1" }, "year": "2022", 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