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  "document": {
    "abbrevTitle": "SMPTE Mot. Imag. J",
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    "abstract": "As we reflect on the disruptive impact that the pandemic has inflicted upon our personal and professional lives, I marvel at the resilience of our Motion Imaging Technology Council’s determination to continue addressing the rapidly evolving digital imaging technology challenges that are confronting filmmakers. Since its formation in 2002 as the ASC Technology Committee, our agenda over the years has consistently identified the critical technology developments driving the evolution of digital production workflows. The unique nature of our mission has always been the fusion of a solid scientific and engineering knowledge base with a laser focus on how these technologies can best benefit the cinematographer’s ability to utilize them to enhance their creative vision.",
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    "authors": [
      {
        "bio": "Curtis Clark, Asc, began his career by shooting and directing documentary films in Britain before transitioning to shooting feature films and TV commercials in Britain and the U.S. Following on the success of his short film, The Arrival, Clark subsequently completed two additional highly praised short films, Eldorado and Meridian. Clark received a Motion Picture Academy Technical Achievement Award for his work developing the ASC CDL, which also received a Prime Time Emmy Engineering Award. Clark was recipient of the prestigious ASC Presidents Award, as well as the Motion Picture Academy’s 2019 John A. Bonner Award in recognition of extraordinary service to the motion picture industry. Clark has chaired the ASC Motion Imaging Technology Council since its formation in 2003 as the ASC Technology Committee.",
        "name": "Curtis Clark"
      },
      {
        "bio": "David Reisner received a 2014 Academy Technical Achievement Award, a 2014 Hollywood Post Alliance Judges Award for Creativity and Innovation, and was recognized by the Academy of Television Arts and Sciences with a prestigious Prime Time EMMY Engineering Award as co-designer of the ASC CDL - now used in the workflow of nearly every motion picture, scripted TV, and visual effects turnover worldwide. He is a SMPTE Fellow; Vice-Chair and Founding-Secretary of the ASC Motion Imaging Technology Council; an ASC Associate. Reisner also vice-chaired the SMPTE Digital Cinema Mastering and Security committees.",
        "name": "David Reisner"
      },
      {
        "bio": "Greg Ciaccio, creative technologist, has served in executive operations management positions for Creative Service divisions at Sim, Ascent, Technicolor, and Deluxe, and has led product development teams creating leading-edge products including Technicolor’s DP Lights and Deluxe’s Mobilabs near-set dailies solutions. He is head of Production and Post Technology for the ETC and SMPTE Hollywood section manager.",
        "name": "Greg Ciaccio"
      },
      {
        "bio": "Tim Kang is a Los Angeles-based cinematographer, working in the film & TV industries primarily as a director of photography on narrative, commercial, music video, and documentary projects. Kang also serves as Principal Engineer, Color & Imaging, for Quasar Science, a motion picture lighting manufacturer, and guest lectures on color science for cinematography students at film schools.",
        "name": "Tim Kang"
      },
      {
        "bio": "Jesse Korosi is the director of post at the Picture Shop. He is the 2016 HPA Emerging Leader award winner, Studio Daily Top 50 award winner, the former chair/founder of the HPA’s YEP committee, current chair of the ASC’s Advanced Data Management subcommittee, and HPA’s ‘Through The Frame’ podcast host. Korosi has experience from both the technical/workflow side of the film & television industry, and the operational side of running a post-production division.",
        "name": "Jesse Korosi"
      },
      {
        "bio": "Patrick Renner is a specialist in designing and developing media management and video processing applications for production and post-production workflows. He co-founded the software company Pomfort that develops applications and services used in professional film productions worldwide. Renner is a Working Group Lead of the ASC MITC Advanced Data Management Subcommittee and a member of the ACES Implementation Technical Advisory Council.",
        "name": "Patrick Renner"
      },
      {
        "bio": "David Hall is a production workflow technologist at Netflix, providing direct support to a wide range of scripted projects as well as contributing to the evaluation and documentation of emerging technologies and standards. Hall has provided dailies workflow oversight for hundreds of feature and episodic projects.",
        "name": "David Hall"
      },
      {
        "bio": "David Morin is head of the Epic Games Los Angeles Lab, and executive director of the Academy Software Foundation. At Epic Games, Morin works to develop the use of the Unreal Engine in the Film and Television industries. At the Academy Software Foundation, he works for the Premier Members to develop the use of open-source software in the motion picture industry.",
        "name": "David Morin"
      },
      {
        "bio": "Gary Demos has been a pioneer in the development of computer-generated images and digital image processing for use in motion pictures. He co-founded Digital Productions (1982-1986), and was awarded an Academy of Motion Picture Arts and Sciences (AMPAS) Scientific and Engineering Award in 1984 along with John Whitney Jr. “For the Practical Simulation of Motion Picture Photograph By Means of Computer-Generated Images.” Demos also founded DemoGraFX (1988-2003), and Image Essence LLC, Perris, CA (2005 to present). Demos is the inventor of approximately one hundred patents.",
        "name": "Gary Demos"
      },
      {
        "bio": "Joe Kane specializes in the sciences of electronic imaging, accurately reproducing video signals on electronic display devices. These efforts have been the focus of his company, Joe Kane Productions (JKP) - “It’s All About the Art”, http://www.videoessentials.com/ - since its founding in 1982.",
        "name": "Joe Kane"
      },
      {
        "bio": "Wendy Aylsworth is a SMPTE Fellow and past president. She provides consulting and strategic board guidance to entities focused on emerging ecosystems and nascent technologies. Aylsworth is a board member of the HPA, is a co-chair of the ASC’s NGCD committee, and is involved in committees at USC’s ETC, the AMPAS, and The Television Academy.",
        "name": "Wendy Aylsworth"
      },
      {
        "bio": "Jay Holben is an independent director and producer in Los Angeles, CA. A former cinematographer, he is an Associate Member of the ASC, the author of three books on cinematography, and contributing technical editor for American Cinematographer Magazine",
        "name": "Jay Holben"
      },
      {
        "bio": "Jim Fancher developed next-generation technology in digital asset management for Deluxe Digital Media in Burbank, CA. Previously, he was chief science officer at the Thomson Corporate Research facility in Burbank, where he worked on cluster computing architectures for image processing, 3D color correction systems, and digital asset management technology.",
        "name": "James Fancher"
      },
      {
        "bio": "Gary Mandle is Sr. Research Scientist at Baylor University FDM. He has been working on new display development for more than 35 years as both a design engineer and product strategist. Prior to joining Baylor, he was a Sr. Product Manager at Sony Professional Solutions Group.",
        "name": "Gary Mandle"
      },
      {
        "bio": "Lou Levinson is a long-time Associate member of the ASC, and Vice-Chair of the MITC Digital Intermediate Committee. A member of the ASC Technology Committee since its inception, he has been a frontline colorist from the “on the fly” analog era to today’s advanced ACES and beyond digital pipelines, having worked with/for everyone from Woody Allen to Rob Zombie. He is currently works at Apple in the San Francisco Bay Area.",
        "name": "Lou Levinson"
      },
      {
        "bio": "Pete Ludé is a prominent engineering consultant in advanced imaging and sound. He serves as chief technology officer of Mission Rock Digital, a San Francisco-based engineering firm specializing in next-generation media including cinema display technology, immersive sound, and interchange pipelines for plenoptic (light field) imaging. Ludé is a past-president of SMPTE, and a SMPTE Fellow.",
        "name": "Pete Ludé"
      }
    ],
    "authors$meta": {
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    "contentType": "orig-research",
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    "copyright": {
      "holder": "SMPTE",
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      "year": "2021",
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    "docLabel": "SMPTE Motion Imaging Journal ( Volume: 130, Issue: 8, September 2021)",
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    "docTitle": "American Society of Cinematographers Motion Imaging Technology Council Progress Report 2021",
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    "doi": "10.5594/JMI.2021.3096866",
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    "href": "https://doi.org/10.5594/JMI.2021.3096866",
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    "issn": {
      "electronic": "2160-2492",
      "electronic$meta": {
        "confidence": "high",
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      "print": "1545-0279",
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    "journalAcronym": "MIJR",
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    "journalTitle": "SMPTE Motion Imaging Journal",
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    "number": "8",
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    "pages": "30–43",
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