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    "abstract": "A 25-year-old, color-faded, heavily scratched 35mm Eastmancolor positive work print trim was the only existing preprint for one sequence of the restored special edition of Walt Disney Pictures 1971 feature film Bedknobs and Broomsticks. The objective was to resurrect the degraded color imagery to a 35mm internegative of sufficient integrity so that this sequence could be reasonably integrated with original camera negative. Liquid gate duplication of the master print to a color-corrected internegative yielded an improved element for digital scanning. Electronic image processing permitted further image reconstruction before the data were output as an analog motion picture negative suitable for conventional motion picture laboratory printing.",
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    "authors": [
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        "affiliation": "Wall Disney Pictures and Television, Burbank, CA 91521",
        "bio": "Scott MacQueen is manager, library restoration, Walt Disney Pictures and Television, Burbank, Calif., responsible for the preservation and restoration of the studio's film library. He has a BFA in Film from New York University. Prior to joining Disney in 1991, MacQueen worked as a line producer and assistant director. He is a member of SMPTE, the Directors Guild of America, and the Association of Moving Image Archivists. MacQueen has written on film history and restoration for American Cinematographer, The Perfect Vision, Cinefex, and Animato! and is a 1997 Anthology Film Archives Film Preservation Honoree.",
        "name": "Scott MacQueen"
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        "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J17623.xml)",
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      "year": "1998",
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        "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J17623.xml)",
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    "docTitle": "Bedknobs and Broomsticks: Using a Distressed Work Print as a Color Master Positive",
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      "confidence": "high",
      "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J17623.xml)",
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      "updated": "2026-05-22T21:44:19.125Z",
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    "journalAcronym": "MIJR",
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      "confidence": "high",
      "note": "Parsed from journal_metadata XML (_source/SMPTE/APTARA/DL Project Files/08182015 BACKFILE JOURNAL FRESH/smptej_107_1/MIJR15Vol107No1.xml)",
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      "note": "Era-accurate journal title from SMPTE canonical repository (periodical parent at time of publication) (smpte-canonical-audit/canonicalLibrary.*.json)",
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      "confidence": "high",
      "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J17623.xml)",
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    "pages": "45–47",
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      "confidence": "high",
      "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J17623.xml)",
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      "confidence": "high",
      "note": "Normalised to registry \"SMPTE\" convention from NLM publisher-name (The Society of Motion Picture and Television Engineers)",
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        "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J17623.xml)",
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        "updated": "2026-05-22T21:44:19.125Z",
        "version": "smpte-journal-article-nlm@v1"
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      "country": "USA",
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        "confidence": "high",
        "note": "Parsed from journal_metadata XML (_source/SMPTE/APTARA/DL Project Files/08182015 BACKFILE JOURNAL FRESH/smptej_107_1/MIJR15Vol107No1.xml)",
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        "updated": "2026-06-17T00:17:09.425Z",
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      "confidence": "high",
      "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J17623.xml)",
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