{ "$schema": "/api/schemas/documents.schema.json", "apiVersion": "1.0.0", "generatedAt": "2026-07-09T21:16:49.031Z", "sourcePath": "src/main/data/docs", "docId": "10.5594-J14958", "document": { "abbrevTitle": "SMPTE Mot. Imag. J", "abbrevTitle$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J14958.xml)", "source": "parsed", "updated": "2026-05-22T20:40:11.684Z", "version": "smpte-journal-article-nlm@v1" }, "abstract": "The Mscope process allows effective and efficient digital high-definition (HD) recording of 4 times 3 originated pictures, maintaining the same horizontal resolution while utilizing multiple HD frames (with native 16 times 9 aspect ratio) for storing additional vertical information. Therefore, Mscope allows straightforward digital HD storage of anamorphic images originated with conventional 35mm film anamorphic lenses, or full frame images originated with conventional spherical film lenses, via a 4 times 3 aspect ratio imaging sensor, using readily available HD recorders. Equally, Mscope allows digital HD recording of digitally scanned film frames originated within 4 times 3 aspect ratio frame formats. This invention can also be applied for effective mastering, exchange, presentation, distribution, exhibition, and archiving of anamorphic (and full frame) content, using industry standard HD-compliant equipment. The first practical implementation of the Mscope process is on the Arriflex D-21 film-style digital camera. Its implementation allows anamorphically captured images to be recorded as a dual HD signal. This paper details the implementation of Mscope and how it provides an effective alternative to existing acquisition and Digital Intermediate (DI) workflows, allowing the use of available HD recorders and other HD equipment (which comply with industry established standards) for production, post-production, and exchange of content shot with anamorphic 2.40:1 or full-frame (open gate) aspect ratio frame formats.", "abstract$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J14958.xml)", "source": "parsed", "updated": "2026-05-22T20:40:11.684Z", "version": "smpte-journal-article-nlm@v1" }, "authors": [ { "bio": "Milan Krsljanin joined ARRI Media in 2004 as a business development manager covering DI and introduction of digital cameras. Krsljanin joined Sony in 1985, and has worked on the introduction of several new technologies playing a key role in the development of the digital cinematography concept. While based at the European headquarters of Sony Broadcast & Professional, as a senior marketing manager, he was responsible for the introduction of 24P and HD in Europe. Before that, he worked for nine years at a television station in various production roles. Krsljanin is a fellow of British Kinematograph Sound and Television Society (BKSTS) and has a degree in electronics and a diploma in business management.", "name": "Milan Krsljanin" } ], "authors$meta": { "confidence": "high", "note": "Object form (schema 2.3.0) migrated from string form via migrateAuthorsToObjectForm.js; bio/affiliation backfilled from _source/SMPTE/HIGHWIRE/ NLM ++", "source": "parsed", "updated": "2026-06-23T00:04:25.562Z", "version": "authors-migrate-object-form@v1" }, "contentType": "orig-research", "contentType$meta": { "confidence": "high", "note": "Cross-filled from SMPTE canonical repository import (smpte-canonical-audit/canonicalLibrary.*.json); previous value was a placeholder", "originalValue": "other", "source": "parsed", "updated": "2026-07-07T23:39:31.295Z", "version": "smpte-canonical-repo@v1" }, "copyright": { "holder": "Society of Motion Picture and Television Engineers, Inc.", "holder$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J14958.xml)", "source": "parsed", "updated": "2026-05-22T20:40:11.684Z", "version": "smpte-journal-article-nlm@v1" }, "year": "2009", "year$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J14958.xml)", "source": "parsed", "updated": "2026-05-22T20:40:11.684Z", "version": "smpte-journal-article-nlm@v1" } }, "copyright$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J14958.xml)", "source": "parsed", "updated": "2026-05-22T20:40:11.684Z", "version": "smpte-journal-article-nlm@v1" }, "docId": "10.5594-J14958", "docId$meta": { "confidence": "high", "note": "Derived from DOI 10.5594/J14958", "source": "parsed", "updated": "2026-05-22T20:40:11.684Z", "version": "smpte-journal-article-nlm@v1" }, "docLabel": "SMPTE Motion Imaging Journal ( Volume: 118, Issue: 3, April 2009)", "docLabel$meta": { "confidence": "medium", "note": "Composed from venue title, volume/issue and date", "source": "inferred", "updated": "2026-05-22T20:40:11.684Z", "version": "smpte-journal-article-nlm@v1" }, "docTitle": "Mscope: Anamorphic Capture with Dual CIF HD", "docTitle$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J14958.xml)", "source": "parsed", "updated": "2026-05-22T20:40:11.684Z", "version": "smpte-journal-article-nlm@v1" }, "docType": "Journal Article", "docType$meta": { "confidence": "high", "note": "NLM
— SMPTE journal paper", "source": "inferred", "updated": "2026-05-22T20:40:11.684Z", "version": "smpte-journal-article-nlm@v1" }, "doi": "10.5594/J14958", "doi$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J14958.xml)", "source": "parsed", "updated": "2026-05-22T20:40:11.684Z", "version": "smpte-journal-article-nlm@v1" }, "href": "https://doi.org/10.5594/J14958", "href$meta": { "confidence": "high", "note": "Constructed from DOI 10.5594/J14958", "source": "inferred", "updated": "2026-05-22T20:40:11.684Z", "version": "smpte-journal-article-nlm@v1" }, "issn": { "electronic": "2160-2492", "electronic$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J14958.xml)", "source": "parsed", "updated": "2026-05-22T20:40:11.684Z", "version": "smpte-journal-article-nlm@v1" }, "print": "1545-0279", "print$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J14958.xml)", "source": "parsed", "updated": "2026-05-22T20:40:11.684Z", "version": "smpte-journal-article-nlm@v1" } }, "issn$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J14958.xml)", "source": "parsed", "updated": "2026-05-22T20:40:11.684Z", "version": "smpte-journal-article-nlm@v1" }, "journalAcronym": "MIJR", "journalAcronym$meta": { "confidence": "high", "note": "Parsed from journal_metadata XML (_source/SMPTE/APTARA/DL Project Files/08182015 BACKFILE JOURNAL FRESH/smptej_118_3/MIJR15Vol118No3.xml)", "source": "parsed", "updated": "2026-06-17T00:17:09.425Z", "version": "smpte-journal-issue-xml@v1" }, "journalTitle": "SMPTE Motion Imaging Journal", "journalTitle$meta": { "confidence": "high", "note": "Era-accurate journal title from SMPTE canonical repository (periodical parent at time of publication) 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