{ "$schema": "/api/schemas/documents.schema.json", "apiVersion": "1.0.0", "generatedAt": "2026-06-17T23:49:39.838Z", "sourcePath": "src/main/data/docs", "docId": "10.5594-J08116", "document": { "abstract": "A Great many people have said recently, and some of them may have believed it, that the artistic future of the motion picture was in the hands of the amateur. They were of course using the word amateur as an antithesis to everything bad in professional practice. The word professional can be used outside of its proper meaning either as a compliment or as an insult, either to designate seriousness of purpose and knowledge of means, or on the other hand, standardization at the expense of feeling, perfunctory haste in production, and callous and inappropriate imitation of known commercial successes. But really there are only three kinds of pictures, good, bad, and medium. Everyone has seen bad films with plenty of the latest professional surface glitter and good films in which every drawback known to photography has not upset the well-conceived plan or the good luck of the director. Certainly what is called the amateur spirit, the desire for sincerity and freshness of treatment, is not incompatible with a professional desire to have your film a success. More good amateur films have been made by professionals or semi-professionals than by strict amateurs, the strict amateurs having only the one slightly disheartening advantage that their films do not have to be cut up and titled by ill-disposed distributing organizations.", "abstract$meta": { "confidence": "high", "note": "Parsed from journal_metadata XML (_source/SMPTE/APTARA/DL Project Files/08182015 BACKFILE JOURNAL FRESH/smptej_12_33/MIJR15Vol12No33.xml)", "source": "parsed", "updated": "2026-06-16T16:11:59.617Z", "version": "smpte-journal-issue-xml@v1" }, "articleType": "research-article", "articleType$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J08116.xml)", "source": "parsed", "updated": "2026-05-22T19:19:44.900Z", "version": "smpte-journal-article-nlm@v1" }, "authors": [ "J. S. Watson" ], "authors$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J08116.xml)", "source": "parsed", "updated": "2026-05-22T19:19:44.900Z", "version": "smpte-journal-article-nlm@v1" }, "copyright": { "holder": "Society of Motion Picture and Television Engineers, Inc.", "holder$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J08116.xml)", "source": "parsed", "updated": "2026-05-22T19:19:44.900Z", "version": "smpte-journal-article-nlm@v1" }, "year": "1928", "year$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J08116.xml)", "source": "parsed", "updated": "2026-05-22T19:19:44.900Z", "version": "smpte-journal-article-nlm@v1" } }, "copyright$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J08116.xml)", "source": "parsed", "updated": "2026-05-22T19:19:44.900Z", "version": "smpte-journal-article-nlm@v1" }, "docId": "10.5594-J08116", "docId$meta": { "confidence": "high", "note": "Derived from DOI 10.5594/J08116", "source": "parsed", "updated": "2026-05-22T19:19:44.900Z", "version": "smpte-journal-article-nlm@v1" }, "docLabel": "Transactions of the Society of Motion Picture Engineers ( Volume: 12, Issue: 33, April 1928)", "docLabel$meta": { "confidence": "medium", "note": "Composed from journal title, volume, issue and date", "source": "inferred", "updated": "2026-05-22T19:19:44.900Z", "version": "smpte-journal-article-nlm@v1" }, "docTitle": "An Amateur Studio Picture", "docTitle$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J08116.xml)", "source": "parsed", "updated": "2026-05-22T19:19:44.900Z", "version": "smpte-journal-article-nlm@v1" }, "docType": "Journal Article", "docType$meta": { "confidence": "high", "note": "NLM
— SMPTE journal paper", "source": "inferred", "updated": "2026-05-22T19:19:44.900Z", "version": "smpte-journal-article-nlm@v1" }, "doi": "10.5594/J08116", "doi$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J08116.xml)", "source": "parsed", "updated": "2026-05-22T19:19:44.900Z", "version": "smpte-journal-article-nlm@v1" }, "href": "https://doi.org/10.5594/J08116", "href$meta": { "confidence": "high", "note": "Constructed from DOI 10.5594/J08116", "source": "inferred", "updated": "2026-05-22T19:19:44.900Z", "version": "smpte-journal-article-nlm@v1" }, "issn": { "print": "0096-6460", "print$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J08116.xml)", "source": "parsed", "updated": "2026-05-22T19:19:44.900Z", "version": "smpte-journal-article-nlm@v1" } }, "issn$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J08116.xml)", "source": "parsed", "updated": "2026-05-22T19:19:44.900Z", "version": "smpte-journal-article-nlm@v1" }, "journalAcronym": "MIJR", "journalAcronym$meta": { "confidence": "high", "note": "Parsed from journal_metadata XML (_source/SMPTE/APTARA/DL Project Files/08182015 BACKFILE JOURNAL FRESH/smptej_12_33/MIJR15Vol12No33.xml)", "source": "parsed", "updated": "2026-06-16T16:11:59.617Z", "version": "smpte-journal-issue-xml@v1" }, "number": "33", "number$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J08116.xml)", "source": "parsed", "updated": "2026-05-22T19:19:44.900Z", "version": "smpte-journal-article-nlm@v1" }, "pages": "216–224", "pages$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J08116.xml)", "source": "parsed", "updated": "2026-05-22T19:19:44.900Z", "version": "smpte-journal-article-nlm@v1" }, "publicationDate": "1928-04-01", "publicationDate$meta": { "confidence": "high", "note": "Day absent in NLM source — padded to 01", "source": "parsed", "updated": "2026-05-22T19:19:44.900Z", "version": "smpte-journal-article-nlm@v1" }, "publisher": "SMPTE", "publisher$meta": { "confidence": "high", "note": "Normalised to registry \"SMPTE\" convention from NLM publisher-name (The Society of Motion Picture and Television Engineers)", "source": "inferred", "updated": "2026-05-22T19:19:44.900Z", "version": "smpte-journal-article-nlm@v1" }, "publisherLocation": { "city": "White Plains, NY", "city$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J08116.xml)", "source": "parsed", "updated": "2026-05-22T19:19:44.900Z", "version": "smpte-journal-article-nlm@v1" }, "country": "USA", "country$meta": { "confidence": "high", "note": "Parsed from journal_metadata XML (_source/SMPTE/APTARA/DL Project Files/08182015 BACKFILE JOURNAL FRESH/smptej_12_33/MIJR15Vol12No33.xml)", "source": "parsed", "updated": "2026-06-16T16:11:59.617Z", "version": "smpte-journal-issue-xml@v1" } }, "publisherLocation$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J08116.xml)", "source": "parsed", "updated": "2026-05-22T19:19:44.900Z", "version": "smpte-journal-article-nlm@v1" }, "status": { "active": true, "active$meta": { "confidence": "medium", "note": "No explicit status in NLM source — journal articles default active", "source": "inferred", "updated": "2026-05-22T19:19:44.900Z", "version": "smpte-journal-article-nlm@v1" } }, "volume": "12", "volume$meta": { "confidence": "high", "note": "Parsed from NLM article XML (_source/SMPTE/HIGHWIRE/Source Bak/smptej/10.5594_J08116.xml)", "source": "parsed", "updated": "2026-05-22T19:19:44.900Z", "version": "smpte-journal-article-nlm@v1" } } }